“Unbeknownst to most, the world is full of witches, in every corner of the globe… for example, witchy women from England are descendants of the succubi, upper-crust man-eaters with a taste for fame, fortune and diamonds, whereas in Greece, witches channel their talent for second sight into careers as optometrists (good men, beware – they’ll blind you in retribution for Medusa’s demise)… but French witches are the fairy Godmothers of the witching world, daughters of Aphrodite, who spin love and enchantment into wedding dresses ensuring happy marriages.”
— from “Which Witch? An Encyclopedia of Witchy Women from Around the World,” by Alistair Penniwick
In a tiny French village, where not much has changed over the past century, a family of witches and their enchanting little bridal shoppe/pastisserie indulge the tastebuds and weary hearts of the village folk — but something wicked (a sneeze, in fact) this way comes…
A series of interconnected vignettes, re-imagined/adapted for the stage from my feature screenplay, “Bewitching Leonardo.”