From moment one it takes a kind of abstract concept and just runs with it unapologetically. It’s a show that could have gone overboard trying to explain or over-tech itself, but in its trust of the audience, it clears the clutter of concept and delivers a charming and frankly nuanced view where it could have been heavy-handed or preachy (outside of a hilarious “sermon” from Victor Isaac’s character!).
What I didn't like
The love story felt a little bit forced and unearned, but that could just be down to keeping the show Fringe tight. I don’t think anything that was left in the show should have been cut, but I think there is some filling out of the personal narratives that would help give more depth to some of the interpersonal storylines throughout.
My overall impression
They say you’re not supposed to talk about religion or politics in public, but Come On Down cleverly does both so well and with such charm that you can’t help but fall in love with everyone on stage—even the “bad guys!”