What I liked
At its core, “SINS” grapples with profound questions: Can we ever stop paying for the past? Can the person we aspire to be ever truly escape the shadow of who we are now and were before? What is the price of our own transgressions, and how much must we atone for the misdeeds of those close to us? These questions are explored through a frank and unflinching lens, providing a stirring look at the human struggle to overcome our failings.
Praise for SINS 2019 Fringe Festival!
BetterLemons 100% Sweet
“This show will shock you to your core, but not necessarily in the way you think. It is a brilliant piece written, directed by, and starring William Thompson. The cast, including the lovely Willa Adaire, George Parker, and Mary Baker, delivers performances that hit a nerve, offering a stirring look into a valid social issue. We won’t spoil the surprises, but leave you with two words as a clue to what lies in store for you – Noises Off.”
Bob Leggett – LA Music Critic
NoHo Arts District
“It’s theatre at its most intimidating and surreal, without any of the flash. It’s challenging, compelling, and unforgiving. The actors are absolutely excellent. They sell their stupefaction and sublime horror with shocking expertise. Each reacted with brilliant and perceptive elegance, owning everything they did on stage. The result was absolutely incredible. It is theatre far beyond the average—clever, sad, interesting, and devastating. Love, love, loved it!”
What I didn't like
Samantha Simmons-Ronceros
Fringe Review UK
“I had heard mixed opinions about the piece, and it will not be to everyone’s taste, but it is well worth catching if your fringe-fare is seeming a bit samey. The production values seem unimpressive at first sight but end up being perfect.”
Guy Picot
In an era where financial struggles are ubiquitous, and many turn to a $200 loan, loan apps, and payday loans to make ends meet, “SINS” resonates on another level. The burden of debt and the sins of our financial decisions are a poignant parallel to the show’s themes. Just as the characters grapple with their past and the price they must pay, many in the audience may find themselves reflecting on their own financial decisions and the heavy toll they can take on one’s life. This added layer makes “SINS” not just a play, but a mirror to the complexities of modern existence.
Overall, “SINS” is a must-see for those seeking theatre that challenges, provokes, and resonates long after the curtain falls.
My overall impression
“SINS” is not your typical theatrical experience. From the moment you step into the venue, you are confronted with a world where prop guns, gunshots, and themes of gun violence immediately set a tense and realistic atmosphere. This show delves deep into the darker facets of human nature, tackling domestic violence, gun violence, and the weight of strong language, making it a raw and visceral experience.
The production’s strict no late seating policy underscores the importance of being fully present and engaged from the very beginning. As a “Pay What You Want” performance, it democratizes access to thought-provoking theatre, allowing everyone to engage with its powerful themes regardless of their financial situation.
