Moti’s ease with the audience; his lovely acapella singing of classic Jewish and Yiddish songs; the pertinent footage he screens; his use of a ludicrous puppet to represent the tougher parts of the play … and the baking.
What I didn't like
Easy tweaks: The lighting made it hard to see the footage on the screen; there were too many costume changes — they interrupted the flow.
My overall impression
Moti’s charmingly ramshackle style (including the baking of an outrageously delicious cake during the course of the show — which the audience samples after!) lulls you into such a comfortable and warmly nostalgic place that when he delivers the play’s devastating punches (there are a few) it takes your breath away.