Review by DANIEL FAIGINJune 09, 2019 certified reviewer
What I liked
The story. The performances.
What I didn't like
There were a few line hesitations, but with increased production values, this could move to a less-fringy run at an established intimate company.
My overall impression
etting back to She Kills Monsters: We just loved the story of She Kills Monsters, and the message it sends on female empowerment and the positive aspects of role playing games. I never got into RPGs for the same reason that I’m a professional audience, and not either on stage or writing the stories: I can’t inhabit characters, or imagine their stories. But I know D&D players well; I knew folks who were deep in that community when I was in the UCLA Computer Club in the late 1970s. This captured that community, and the freedom that RPGs bring to their players.
The execution of She Kills Monsters was more fringy: minimal sets and costumes, as befits a kickstarted fringe show. Performances were generally strong, but at our preview performance there were a few line mishaps, and the cast was a bit less polished than might be seen in an established company’s fully realized production. That doesn’t make one difference at all to me; this is Fringe, after all. But the Fringe environment forces creativity on a low budget, and this show definitely had both.
See the full writeup at https://cahighways.org/wordpress/?p=15371