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What I liked
Matthew Robinson delivers on another amazing script, one that is smart and self referencing on many occasions. Robby Devillez was the highlight of the show for me, and I loved that death scene more than anything. And the transitions. Those friggin’ transitions.
What I didn't like
It felt very “inside jokey”, and while that played well at Fringe, it might want to be changed if brought to somewhere else.
My overall impression
I’ve never wanted to live in a world with a religion to Beyoncé more than after seeing this show. A hilarious script with a great cast, this show asks what the true value of art is, and how civilization commodifies those who make it.
