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As sturdily written and swiftly moving as it was in 1982, Charles Fuller’s A Soldier’s Play remains an enduring testament to the home front battles that African-American soldiers fought during World War II, within their ranks as well as with white comrades in arms. It’s a kind of upfront, downhome American classic, and director Victor Isaac and his company at the Hollywood Fringe Festival lift it to relevance, even urgency. (See my review)
