What I liked
The fight choreography is some of the best I’ve ever seen! The audience gets a taste of different fighting sequences ranging from frying pans to deadly swordplay. I really enjoyed how the sound design not only complemented the cast’s comedic timing, but interacted directly with each actor’s performance.
What I didn't like
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My overall impression
Punch And Judy is phenomenal! Congratulations to Ryan Beveridge, the production’s Foley Artist/Percussion/Sound Designer who supports and lifts the entire ensemble. The cast is fantastic, but Jimmy Slonina is the standout as Punch. His performance alone makes this show a must-see, but fortunately the rest of the ensemble are so strong and grounded that they balance out Slonina’s manic energy. Christopher Johnson’s direction and Jen Albert’s fight choreography pull off what could very easily have devolved into a physical comedy showcase, and instead have created a highly entertaining satire. Punch And Judy is polished, clever, and the special attention to detail makes this show truly one-of-kind and not to be missed at this year’s Fringe.
