What I liked
What I didn't like
My overall impression
Thug Tunnel’s improv roots serve it exceedingly well. Comedians – especially those skilled in improvisation – approach comedy and comic timing differently than other actors do. Here the technique results not only in a show that is smart but exceptionally appealing as well. It’s a great example of what wild imagination, a commitment to getting a little down and dirty, and reveling in the joy of the art itself, can do. If you want to understand the kind of funny becoming more and more in demand today or to attract a younger audience, this show is a great example of what works.
Directors Molly Dworsky and Dave Reynolds set the tone in the very first comic ensemble number and then follow through over and over again. Kat Primeau’s choreography is feisty and executed ferociously by the company who are, in total, a pretty irresistible bunch.
The whole show is a little absurd and kind of wrong but so completely hilarious that you’ll be hooked from the get-go. Its rough edges actually benefit the production and there is a certain guerrilla intensity to it all that I loved. An extension is most certainly in the works and, if that happens, book it immediately.
One other note: this show does something else I haven’t seen before at the Fringe that other companies may want to consider in the future. Fans love stuff and fans love to buy stuff. Thug Tunnel is capitalizing on its popularity by selling swag before the show at very reasonable prices. Signed posters, stickers, patches, and T-shirt sales are a smart move to add a few dollars to the bottom line.
