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My overall impression
A strong cast largely makes up for the slightly dated feeling of this play, that no doubt made more of a splash in the ‘80s when there weren’t enough frank discussions about the emotional fallout of the AIDS epidemic seen on stage. That said, while the principles, Michael Mullen and Kimberly Patterson, connect with real authority and emotional weight, their work is hampered a bit by flat direction from Sara Wagner. Definitely worth seeing for the acting, though.
