My overall impression
It is a well-known tenant that drama is easy, and comedy is hard. Nothing could be further from the truth. But what is so miraculous of comedy is the effortlessness of the performers that makes us laugh. Laughter is a particular trait, one that cannot be easily analyzed, but we call all agree that it is one our best, and in some ways, most noble aspects.
The Halfwit’s Last Hurrah by Four Clowns is a mixture of satire, slapstick, sight gags, and acrobatics. All performed with the same kind of grace one would expect from a ballet, only this is exceedingly hysterical. It is truly comedic. And I dare to say homage to Ernie Kovacs, as the production has a slight edge and irreverence, yet still contains tight structure. Not a moment is wasted; the pacing accelerates like a hyperactive roller coaster.
Give the production team of Jeremy Aluma and Sara Waugh credit for assembling an engaging and talented cast. Know that each actor deserves kudos for an electrifying performance. I predict great things for them. Director David Anthony Anis allows a collaboration of staged theatrics and natural charisma to dominate the show without it flying into chaos. There is bizarre genius of the script by Jamie Franta and Don Colliver. It is a series of acts that cumulates to a great reward.
From the absurd to actual emotional catharsis, Last Hurrah is an absolute winner.
M. Jarrett Christensen
