Review by anonymous
June 14, 2026 certified reviewerWhat I liked
The fun plot, the tight pacing, and the thoughtful use of stage composition to overcome the limitations of a one-setting play.
What I didn't like
More people should come see this!
My overall impression
Alice Dranger’s “Hamlet coffee shop AU” polyamorously marries ancient Greek traditions, modern day tropes, and Shakespearean sensibilities. It welcomes theater newcomers with an accessible narrative, beckons Hamlet lovers with knowing winks, and ensnares all with its exploration of the human condition, hidden beneath crowd-pleasing absurdity and romantic sentiments.
Amy Ward seizes the opening with a dramatic transition. She warns the audience of the tragedy to come, but immediately makes us forget with a masterful shift in physicality. She’s glamourous as Ophelia, and possess a mystical gravitas as a member of the Greek chorus.
Silas Kade’s clear voice breathes vigor into every scene they’re in. They instantly amplify the energy of the play within their first lines. In a less cohesive play, Kade’s supporting roles might have stolen the show.
Tabatha S. Skanes demonstrates great versatility in her supporting roles, adapting expertly to the needs of each scene. Whether bringing life to an original character or a play within the play, her comedic sensibility and physicality rise to the challenge.
As Rosencrantz and Guildenstern, Sunny Takahashi Liao and Alice Dranger provide the classic comedy relief. With a minimalist approach, their sly glances and quick asides intensify the romantic tension of each scene, rather than distract from it.
Samantha Stumman is unafraid to lead with subtlety. She does not rely on quirky mannerisms to portray the character of Horatio, nor does she play her as the calm foil to the anxious Hamlet. With natural soulfulness, she longs for Hamlet, she challenges the prince to change, and coaxes Hamlet’s love by sharing her own vulnerability.
Danielle Moses carries the emotional weight of the play on her shoulders with ease. She flows between Hamlet’s restrained emotionality and sharp outbursts, while crisply executing dialogue at a high pace. Her performance forms the foundation of the play’s core tension, keeping the audience invested and engaged.
Despite the play’s lighthearted tone, it ultimately deepens the tragedy of Hamlet. By staying consistent with the canon, Dranger shows us who Hamlet could have been before their quest for vengeance. They had friends, love, and the will to grow and change. But in the end, they realize the painful truth – that no one is ever fully in charge of their destiny.
“There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.”
