What I liked
What impressed me most was Kohl’s ability to transform the simplest audience contribution into something meaningful. At one point, I tossed a small stuffed prop into the mix, and within moments it had become the centerpiece of an entire world, complete with its own mythology and monologue. The same imaginative alchemy happened again and again throughout the show.
This was one of the most purely fun experiences I’ve had at Fringe. Every moment feels alive, unpredictable, and collaborative. Kohl has created a show where the audience isn’t simply watching—they’re helping shape the world in real time.
What I didn't like
I am generally cautious of improvised shows at the Fringe, but this had excellent sequencing. No notes!
My overall impression
Don’t Kill Daisy is a remarkable display of creativity, improvisation, and audience engagement. Unforgettable, delightfully weird, and unlike anything else at Fringe. Describing the plot almost feels beside the point. The show operates on dream logic, unfolding in unexpected directions that likely change from performance to performance. Part of its magic is that no two journeys will ever be exactly alike.
