The sound and lighting design were both highly effective, and the crowd work felt inclusive—like an invitation to play along—rather than obligatory.
What I didn't like
No notes!
My overall impression
Sara’s a hilarious, fearless performer, and The Queen is truly unpredictable and even, in the end, genuinely moving. It pulls off the remarkable feat of succeeding as both a master class of physical comedy and a sly Marxist commentary on labor vs leisure.