What I liked
The lighting usage to separate reality from subconscious was perfect. This play lacked any of the usual tech issues found in Fringe. The transitions were seamless, without ever interrupting the flow and pace. The dialogue was fast, witty, and revealed so much without actually SAYING it. Barrett does not come across as a novice writer by any means, and there’s no gratuitous exposition.
And a moment alone for the acting: wow. First and foremost, Benjamin takes on the daunting task of playing four different characters and he executes it to perfection. Each character moves differently, talks differently, even has different “tics”. He fully embraces each one. Nicole may play one character but she’s certainly not one note. She builds so many layers and nuances into her performance that you feel you are dealing with an actual, complex therapist trying to hold it together. They both project and move on stage like seasoned professionals. I genuinely felt like I was at an off-Broadway performance in NYC.
What I didn't like
10/10, no notes.
My overall impression
A breath of fresh air in the chaotic and saturated world of Fringe Fest. This play has a voice and character all its own, with such magnificent writing, committed and fully developed acting, style, pacing, wit and bite. A sleep-deprived therapist tries to keep up with all the “looneys” while fighting against becoming one herself in this witty period-piece.
