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What I liked
Minimalist set and stage design worked really well for me. The musical compositions were excellent, expressive, and captivating. Margaret’s vocal mastery does a great job of embodying the voice of the human soul, while Aria’s intermingling of voice and technology lent itself to a sympathetic understanding of a character we may otherwise see as villainous.
What I didn't like
No notes.
My overall impression
An operetta that starts as a cozy bedroom-floor sing-along turns into a marvelous and mesmerizing critique on AI.
