Sitting in the audience, laughing my a** off, I thought: This play should be on the Geffen stage— it’s that good. Timely, clever AF, hilarious and paints an incredibly accurate portrait of the Sisyphean experience of working (or banging at the door to get) in Hollywood. Rachael Hip-Flores is a standout, her gritty brilliance and seriously funny physical comedy chops in equal measure.