What I liked
This play is epic. From the set design, to the costumes, to the music and performances, Trickster feels like a fully realized world. The stage looks like an ancient campsite, complete with laundry hanging on a line, as though we’ve stumbled upon a gathering of travelers swapping stories around a campfire in some forgotten corner of time.
I loved how the role of Trickster rotated throughout the cast, starting with an amazing performance by Sebastien Siclait. The stories felt connected by deeper themes while still standing on their own as entertaining adventures. It’s really saying something when a fictional play revolving around folklore, leaves you feeling like you’ve learned a thing or twelve.
The movement and music throughout the production were beautiful. Ariel Timmons, Colin Coughlin, and Joyce Ha moved with such grace that parts of the show felt like a ballet. Michael Lyons and Arrow Schulman brought tremendous energy and talent to the songs, which helped establish the mood and texture of their respective stories. I also loved the shadow work. There was always something visually engaging happening onstage.
What I didn't like
No notes. This was an incredibly ambitious production and the team absolutely pulled it off.
My overall impression
Trickster is a magical, funny, and visually stunning theatrical experience. Director Sarah Painter and writer David Bridel have crafted a storybook world. The cast is deeply committed and every aspect of the production works together to create something that feels both ancient and timeless.
It’s the kind of production that reminds you what live theater can do when every member of the creative team is pulling in the same direction. If you’re looking for an evening of magic, mystery, and beautiful performances, do yourself a favor and SEE THIS SHOW!
