The live sound design was awesome, maybe the best part for me. Huge bonus for sound geeks or foley nerds.
What I didn't like
Performance felt a little slow and over-indulgent at times, a bit of the roughness that Shakespeare or other classic performance often struggles to breathe urgency and connection into. Some of the devised elements were really cool, but there was just a smattering of forms that felt like aesthetic considerations rather than emobied performative techniques or invested playfulness.
My overall impression
A fun foray into various trickster myths through time, with a spin of modernity.