What I liked
Hailey McAfee commanded the stage with stunning presence and nuance. The choice to have her share the space only with a silent violinist was chilling and effective—underscoring the isolation of a character who is both victim and perpetrator. The writing was layered and deeply intelligent, slowly peeling back each justification until what’s left is raw, undeniable truth. The humor was biting, the horror very real, and the emotional arc completely gripping. The play’s structure—gradually revealing the personal toll of defending the indefensible—was brilliant.
What I didn't like
Honestly, the only thing I wish could change is that more people get to experience this piece. It deserves a wider audience. If there’s any possibility of an extended run or future production, I hope it happens—it’s urgent, timely, and unforgettable.
My overall impression
A masterful solo performance that left me breathless. And Her Children is an unflinching, darkly funny, and ultimately devastating piece that confronts the cost of complicity with terrifying intimacy. Hailey McAfee’s performance is a tour de force—razor-sharp, emotionally precise, and haunting. This show shook me to my core in the best way possible.
