15th Century Ballerina

What I liked

The story is simple yet delightfully peculiar, one that calls to mind the same elegant absurdity found in Don Nigro‘s underrated gem PAGANINI. The cello accompaniment is beautiful and adds a fresh dimension not offered in most Fringe shows (the cello itself not invented until the 16th century, but if you’ve come to quibble over anachronisms, this isn’t that kind of show). The set is spartan, and the few props there are humorously serve their purpose — terrific use is made of an ornately framed mirror. The element of audience interaction is charming and inviting, deepening a sense of playful connection. The production makes the most of its brisk runtime, but one wishes they could stay in the world of the ageless ballerina just a little longer. A festival highlight for certain.

What I didn't like

n/a

My overall impression

Caroline O’Meara delivers a graceful and captivating performance in a theatrical experience that raises the barre.