Imagine if Parker Posey’s character from “Waiting for Guffman” did a one-woman show at the Fringe (complimentary). Also why is no one talking about how well written and structured and tonally different all the songs were?? In a show where the lack of polish is the point, these songs were, like, ready for Broadway (maybe off-off-bway haha!).
What I didn't like
If you improve one thing it won’t work anymore, keep it all!
My overall impression
Absolutely bonkers. The stupidest thing I’ve seen at Fringe, and please know that I mean that as a resounding positive. Molly’s brand is impeccccccable, she does amazing character work, and the crowd loves her. Seriously you HAVE to see this show!