What I liked
Everything, from start to finish.
What I didn't like
Nothing.
My overall impression
The Hollywood Fringe Festival presents a thought-provoking, yet authentic production of Stephen Adly Guirgis’ “The Last Days of Judas Iscariot.” The play delves into philosophical questions about faith and explores the complex character of Judas Iscariot. The central question of whether God is benevolent or vengeful adds depth to the narrative, making it a compelling experience for audiences of all beliefs.
Set in a courtroom in purgatory, a disinterested judge, played by Gabriela Maldonado, carries out her duties with little interest. She dismisses a lawsuit brought on behalf of Judas Iscariot, despite his lawyer’s protests and the arrival of an opposing lawyer. As the case plays out, various religious figures are called to the stand, representing different perspectives of God’s nature. Under the direction of Blanca “Moon Chola” Espinoza, the cast delivers exceptional performances, bringing humor and insight to the script. The play is filled with references and puzzle pieces that require attentive viewing, but the payoff is a fully satisfying production. The portrayals of saints, sinners, and even Satan himself adds strength and keeps the audience engaged. Amidst the wittiness, the play also offers moments of tenderness and gratitude. Overall, “The Last Days of Judas Iscariot” is a mesmerizing production that explores faith and philosophy in a captivating and stimulating manner.
Angel G. Molina portrays Judas with a silent and sympathetic demeanor, showcasing deep emotional wounds and guilt without any justification for his actions. In contrast, Lion Orduno embodies Jesus with a sublime aura, affectionately collecting the tears of the world with a warm embrace. Jake Gomez delivers a heart-wrenching performance as Iscariot’s mother, exuding profound distress and concern in the opening scene that sets the stage for the courtroom drama. Maribel Chavez shines as the lawyer Cunningham, anchoring the intricate narrative with her unwavering belief in Judas’ chance for redemption. Her character exudes a buoyant intensity that leaves the crowd yearning to learn more about her backstory. Chavez navigates the dynamics of the room with skillful precision, standing out as the voice of reason amongst a sea of comedic characters. Alexander Gibson delivers a magnificent performance as the flamboyant El-Fayoumy, exuding loudness, friendliness, and entitlement in his interactions with Cunningham, and the court. Always on the lookout for an advantage, he charms his way through the proceedings. Anthony Lorenzo Garcia embodies Satan with a straightforward, however, cringe-inducing demeanor, while Orduno captures the serene benevolence of Jesus with quiet radiance.
Alexander G. Seyum, Natalie Garcia, Michael Ortega, R. Fernando Arredondo, Mario Resoe, Lauren Grace, Freddy Los, Hilda Perez, Brian Sal Limon, and Jay Solano make up the rest of the ensemble, each bringing their own interpretation to the spiritual and humorous aspects of the show.
“The Last Days of Judas Iscariot” at the Hollywood Fringe challenges beliefs and explores the complexities of our relationship with God. The mix of courtroom drama and historical flashbacks creates a rich and fulfilling experience. The closing scene really compliments the opening, leaving a lasting emotional impression. While the themes are universal, the play feels deeply personal, with characters that are both comical and relatable.
