“I’ll be an actor. So it’s a given that I’ll always be poor.” Paraphrasing one of the many brilliant lines in “B-SIDE: LIMBO”. The realness of friendship, love, desperation, love lost and goal chasing this show exemplifies. ...
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This show felt like an interesting dialogue between the main character and all of the other aspects of his own psyche, reflected in his friends. ...
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A slice-of-life naturalistic stoner dramedy with tinges of Beckett absurdism and some Brecht thrown in. The play is artistically ambitious in its quest to be a character study piece, driven by a main character with goals that never attempt to be reached. I loved the opening crepe monologue and thought it served the style and theme of the play rather well. Also, quite an achievement to successfully stage a play in the Studio with so many cast members, they made it work well....
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Beautifully directed by Harry White. Super talented cast led by Elliot White who brought the main character to life with empathy and care. Henry and Dusty were superb. The fight scene was choreographed and executed expertly. Cooper, Mariluna and
Blake were fantastic. A play I would see again....
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A three-headed hydra of HOT ROD, GRANDMA'S BOY, & TED -- A relatable "now what" suburbian stoner comedy that leaves you pondering: Did we have crepes this morning? ...
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B-SIDE: LIMBO—a compelling narrative that is all too familiar for so many of us that intentionally yet effortlessly evokes, provokes, and chokes the audience's own erratic emotions, recollection of the past, and reclamation of the self. ...
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CJ MERRIMANtheatre theater podcastcertified reviewerJune 09, 2024
B-Side: Limbo was extremely relatable as a millennial, and I imagine any parent of a millennial would appreciate it, as well. The performances were extremely solid on opening night and will probably get even better each night....
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