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Existential

AN ODYSSEY

dance & physical theatre · ungovernable theatre company · Ages 16+ · United States of America
Penelope, Telemachus, and Argus grapple with the absence of Odysseus across time and space in this modern reimagining of Homer's Odyssey.
Penelope, Telemachus, and Argus grapple with the absence of Odysseus across time and space in this modern reimagining of Homer's Odyssey.

NEW KID ON THE BLOCK

comedy · the actors company · Ages 10+ · United States of America
A hilarious 30 minute ensemble homeless comedy about a guy who live streams himself living homeless for a week and everyone in his life pulled along for the ride.
A hilarious 30 minute ensemble homeless comedy about a guy who live streams himself living homeless for a week and everyone in his life pulled along for the ride.

SHILO KLOKO

dance & physical theatre · shilo kloko · Ages 18+ · United States of America
Combining butoh with experimental animation and puppetry, Shilo Kloko uses stark, striking visuals to portray a fluid relationship between puppet and puppeteer, reflecting our unstable, fluctuating social and emotional status as humans. Created by Nao Kobayashi. 2018 Hollywood Fringe Scholarship
Combining butoh with experimental animation and puppetry, Shilo Kloko uses stark, striking visuals to portray a fluid relationship between puppet and puppeteer, reflecting our unstable, fluctuating social and emotional status as humans. Created by Nao Kobayashi. 2018 Hollywood Fringe Scholarship

"THE THIRTY-THREE"

ensemble theatre · reaact · Ages 18+ · United States of America
Reilly has never questioned her life before. While working a dead-end job with nothing to show for it, Dhyrce shows her a way to live life that may be the kind of excitement she's looking for. What neither of them know is that the meaning of life is harder to figure out than just playing the part.
Reilly has never questioned her life before. While working a dead-end job with nothing to show for it, Dhyrce shows her a way to live life that may be the kind of excitement she's looking for. What neither of them know is that the meaning of life is harder to figure out than just playing the part.

THE ELEVATOR

ensemble theatre · cursed champagne productions · Ages 13+ · United States of America
A young office worker, in the midst of her midday malaise, boards an elevator that continues up beyond the office to an enchanted and unknown land. There, she encounters mythical creatures, dastardly villains, and helping hands who show her whether or not the daily grind is what she's meant to do.
A young office worker, in the midst of her midday malaise, boards an elevator that continues up beyond the office to an enchanted and unknown land. There, she encounters mythical creatures, dastardly villains, and helping hands who show her whether or not the daily grind is what she's meant to do.

MY MOM DIED WHEN I WAS 14 (A COMEDY)

goodnight orchard films · Ages 18+ · United States of America
An one man show from Matthew Gudernatch, who touches on what it was like to lose his mother at a tender age. There are stories, songs, jokes, and other attempts to turn all of the unending pain he's endured into a fun performance with maybe just a pinch of male nudity. (It's a comedy)
An one man show from Matthew Gudernatch, who touches on what it was like to lose his mother at a tender age. There are stories, songs, jokes, and other attempts to turn all of the unending pain he's endured into a fun performance with maybe just a pinch of male nudity. (It's a comedy)

CHARLOTTE'S WORLD OR THE LONE TERRARIUM

solo performance · fermented apples · Ages 14+ · United States of America
Charlotte has always wanted to be able to fly. She's not a bird, and she's not sure if she can technically do it, but she's determined to try!
Charlotte has always wanted to be able to fly. She's not a bird, and she's not sure if she can technically do it, but she's determined to try!

MICHAEL KEARNS' BLOODBOUND

ensemble theatre · moon mile run · Ages 17+ · United States of America
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.