From a review of the play by Zvi Goren

“Ariel Bronze saw these components [tragedy and comedy] as complementary tools, and even more than that—as fertile ground for poetry. The horrific contour is written with absolute seriousness, while the comedy is written in tight language, overflowing with brilliant moments that join together into an almost infinite chain of madness, while the poetry itself is that of very sensitive poet.”

“Nagar [who plays the poet Haimovitz] has a pleasant voice—already something rare—and exceptionally clear diction in every word, correctly and precisely suited to content and meaning. Coming out of him, the poetry sounds complete and unaffected, as if it were flowing in that very moment from him onto the page. But more than that, and no less rare and promising, is his moving and exciting performance in the moments of silence and observation. The solitude, the fears, the psychological struggle—all these are expressed in his eyes, in his movements, and in a passion that does not let the viewer go. Simply put: a believable, vital, and riveting performance.
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Nagar’s performance is one of the important achievements of the co-direction of Marina Beltov and Nataly Szylman […], who merge movement and acting into a holistic work, in which every movement and gesture have a direct connection to every textual idea, while the actors create the choreography in groups, in pairs, or as individuals.”