TAGGED WITH WELL ACTED

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HOW TO BE A VIRGIN (IN 12 MORALLY AMBIGUOUS STEPS)

comedy · lucid dramatics · Ages 17+ · world premiere · United States of America

Meet The Virgin: she’s a 30-year-old Christian feminist—and she’s gonna set her sexual record straight. A hilarious and candid journey through twelve sexual close calls, How to Be A Virgin explores the rules of “the game” for both sexes. Find out who - or what - she is really waiting for.
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LAMPREY: WEEKEND OF VENGEANCE

comedy · vengeance incorporated · Ages 16+ · world premiere · United States of America

Best Comedy Award Hff16**** Lamprey is having trouble with her husband at home, her partner was just murdered, Internal Affairs is riding her ass, and a homicidal killer is gunning for her. This might just be the best day of her life!
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TIME STANDS STILL

ensemble theatre · wolf jump productions · Ages 13+ · United States of America

In a script The New York Times says "crackles with bright wit and intelligence," this Broadway-hit play from Pulitzer Prize-winner Donald Margulies is a witty, intelligent look at what what happens when ordinary life is refracted throughout the lens of war.
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BOUND

ensemble theatre · parishunterpaul · Ages 12+ · United Kingdom

Six actors, five chairs, one table, and an ocean...Bound to and by the sea, 6 fishermen discover, despite their differences, a deep bond with each other. But risking storms, friendships, and relationships ashore, will the crew lose more than just a way of life?
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STICKY FINGERS

ensemble theatre · terry anne holzman · Ages 15+ · United States of America

Join seven women, ages 16 to 76, including the most famous Hollywood shoplifter of all time, as they share humorous and heartbreaking true stories in this theatrical confection about stealing from major retail stores.
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NIGHT WITCHES

ensemble theatre · the thrillpeddlers · Ages 16+ · flashing lights · world premiere · United States of America

A tale of women in war. The 588th Night Bomber Regiment was a thorn in Hitler’s side on the hellish Eastern Front in WWII.

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