TAGGED WITH

Imaginative

UNINVISIBLE

Comedy · if production · Ages 15+ · United States of America
Uninvisible, a comedic solo performance, follows Ian's journey of self- discovering, lost world history, and becoming the greatest hero of his generation. Uninvisible combines contemporary clown, physical theatre, and shadow puppetry.
Uninvisible, a comedic solo performance, follows Ian's journey of self- discovering, lost world history, and becoming the greatest hero of his generation. Uninvisible combines contemporary clown, physical theatre, and shadow puppetry.

MS 499: ADVERTISING AND THE SOCIAL CONSTRUCTION OF GENDER

theoretically productions · Ages 13+ · United States of America
Teaching is performance, but it usually takes place in a classroom so people don’t notice. MS499: Advertising and the Social Construction of Gender takes this concept to a new level. The theatre becomes a classroom infused with magical realism. This is more than a play, it's a learning experience.
Teaching is performance, but it usually takes place in a classroom so people don’t notice. MS499: Advertising and the Social Construction of Gender takes this concept to a new level. The theatre becomes a classroom infused with magical realism. This is more than a play, it's a learning experience.

BIRDS AND THE CURIOSITY

Drama · how bang! club · Ages 3+ · China
How to TIME TRAVEL to your childhood now that you're an adult? A bittersweet and brutally honest coming-of-age story of a 9-year-old Chinese girl, her future self, and many birds! ★★★★★
How to TIME TRAVEL to your childhood now that you're an adult? A bittersweet and brutally honest coming-of-age story of a 9-year-old Chinese girl, her future self, and many birds! ★★★★★

HEDDA GABLER

Drama · the attic collective · Ages 16+ · United States of America
Hedda is trapped in a new home with a new husband. She spends her time manipulating those around her and denying her pregnancy. But when old acquaintances come knocking on the Tesman’s door, the next two days are spent unraveling the past, evading the future, and firing General Gabler’s pistols.
Hedda is trapped in a new home with a new husband. She spends her time manipulating those around her and denying her pregnancy. But when old acquaintances come knocking on the Tesman’s door, the next two days are spent unraveling the past, evading the future, and firing General Gabler’s pistols.

THIS WAS NEVER SUPPOSED TO BE A ONE WOMAN SHOW

bipolar fantasy squad · Ages 14+ · United States of America
Samantha’s comedy partner Brit died by suicide in the middle of writing a comedy show about mental illness for them to perform together. So… this is not that show! This is what that show became, performed by a comedian trying to figure out what she has to become now with out her sidekick.
Samantha’s comedy partner Brit died by suicide in the middle of writing a comedy show about mental illness for them to perform together. So… this is not that show! This is what that show became, performed by a comedian trying to figure out what she has to become now with out her sidekick.

FIVE YEARS IN AMSTERDAM

Solo Show · brendan hunt · Ages 18+ · United States of America
Ted Lasso's Brendan Hunt returns to his first and favorite solo show, describing the five years he lived in Amsterdam, wherein he slowly transformed from depressed Midwestern nerd to reasonably happy D-List Eurotrash Celebrity. MATURE AUDIENCES ONLY.
Ted Lasso's Brendan Hunt returns to his first and favorite solo show, describing the five years he lived in Amsterdam, wherein he slowly transformed from depressed Midwestern nerd to reasonably happy D-List Eurotrash Celebrity. MATURE AUDIENCES ONLY.

I CAN'T INDIAN GOOD

soaring solo studios · Ages 12+ · United States of America
“I Can’t Indian Good” is a comedic solo show written/performed by Brandon Raman, a first generation Indian-American with zero ties to India, exploring how you can build a sense of personal identity when you feel culturally adrift. Sometimes all you need is a carpooling herd of (imaginary) ancestors.
“I Can’t Indian Good” is a comedic solo show written/performed by Brandon Raman, a first generation Indian-American with zero ties to India, exploring how you can build a sense of personal identity when you feel culturally adrift. Sometimes all you need is a carpooling herd of (imaginary) ancestors.