Heidi Powers

Take Me To The Poorhouse

heidi powers · June 11, 2013 certified reviewer
I first heard about the show when I saw a friend had donated to the Indiegogo campaign, and I assumed, based on the title, that it was a drama. But Liz Femi's "Take Me To The Poorhouse" is comedy in every sense of the word, taking the classic Cinderella concept and turning it on its head. Each of Femi's characters (which range from extreme differences of socio-economics, gender, age, and wisdom) is illustrated crystal-clearly through the written voice as well as physical voice and physical pre... full review

[title of show]

heidi powers · June 11, 2013 certified reviewer
As a writer of a festival musical, [Title of Show] struck a particular chord with me. I hadn't listened to the soundtrack since beginning my own "festival medley," and the opportunity to see it live and in front of me at Fringe turned out to be a complete delight. With sharp staging, sparkling performances and a bright, clipping pace, the director and cast of Theatre Unleashed/Village Idiom's production gave both airy lightness and thoughtful gravity to the piece. They even buoyed the flaws in... full review

O, Fallen One

heidi powers · June 11, 2013 certified reviewer
I have learned my Fringe lesson - always arrive with plenty of time in advance. So disappointing to arrive late to O Fallen One, especially since I enjoyed what I saw so much. As a fan of Hamlet - and a fan of using movement to express stories, relationships and the underlying emotions - O Fallen One struck a chord with me. I found the beautiful staging, haunting music and thoughtful performances compelling. Many of the lines echoed (if not directly quoted) Ophelia in Hamlet - which, are of c... full review

#Hashtag

heidi powers · June 11, 2013 certified reviewer
I wanted to see Hashtag from the moment I first saw their logo, which so beautifully depicted the message of the show - that social media can imprison us. My favorite moment of the show was when that message was made physical onstage. Their reference to Brecht ("yeccch," I believe they described it) was clever, especially considering that each scene was prefaced with a hash tag describing (or titling) what followed. It smacked of the distancing/alienation effects of which Brecht was so fond. A... full review