One Woman Show

In this poignant tale existing between opera and theater, one woman takes the stage, plays 5 instruments, inhabits 5 ancestors' voices – and her own – to perform a semi-autobiographical story of judgment and desire, detailing a dramatic escape from a repressive home to find liberation through music.

Liv goes on an undercover mission, evaluating New York City hospitals. She’s totally not supposed to talk about it. Does doing a show count? Shhh. "Standout comedic timing" —TimeOut NY; Two sizzling Off-Broadway runs.

Australia's #1 Grief Expert, Dr. Adelaide Graves, has come to America to present her newest product! GRIEF BOX is a comedy-packed combo of TED Talk wisdom and QVC flair, diving into our obsession with life hacks and the allure of capitalism. Because why to go therapy, when you can buy closure?

A poignant and often hilarious true story set in Compton, CA. This written-and-performed-by solo show is the first in a trilogy. Come along on a captivating journey that explores through song, dance, and original story telling themes of love, faith, and belonging with raw honesty and deep curiosity.

Comedian Fielding Edlow's (Bojack Horseman) solo show about being gaslit for 13 years by her character actor husband. Fresh off a successful run at the Edinburgh Fringe, it was featured in the UK Times: “Their marriage was like the Exxon Valdez supertanker leaking gallons of oil in your home.”

In Sick Little Freak, Sarah Bebb finds humor in the highs and lows of life (and blood glucose). For fans of Fleabag and Mike Birbiglia, witness the hilarious, harrowing journey of being newly diagnosed with type 1 diabetes after a dramatic hospitalization. Come for the laughs, stay for the juice.

177 Lovers and Counting: My Life as a Sex Researcher chronicles the personal and professional sexual explorations of American Anthropologist, Leanna Wolfe. Dr. Wolfe, a professor of anthropology and a clinical sexologist, reflects on growing up in the thick of the Feminist and Sexual Revolutions.

Meet Sydney, your Aussie waitress in Hollywood hot spot, The Pink Wheelbarrow. Now buckle up for a one hour joy-ride through the chaos of restaurant life intertwined with Sydney's personal shenanigans, offering a hilarious yet heartfelt peek into the secret world of your server.

Before Taylor Swift, there was the original touring girl boss: Jenny Lind! When the opera singer came to America, to tour with P.T. Barnum, she witnessed a nation torn apart over slavery. Come see Jenny’s final concert as she fact checks “The Greatest Showman”!

A registered nurse edutains with stories and sings parodies about what really happens in a hospital and how her life ended up the way it has. She advocates for her patients, will she learn to advocate for herself? Each shift is like "The Hunger Games". Find out how this indomitable woman survives.

The Fairy Who Cried Gems is an often fantastical, sometimes verbatim, and always honest solo show by Lily Abha Cratsley. In this exploration of Indian-American girlhood, audiences are transported through a collection of folktales to discover how Desi joy can be built out of legacies of trauma.

Family tragedy strikes, forcing life-of-the-party Liza to confront what's underneath her use of weed, wine, and wieners. This racy one woman musical comedy is a provocative and honest exploration of the absurdity, humor, and beauty along the path to healing and becoming who we really are.

SUNDANCE INSTITUTE KNIGHT FELLOWS PROJECT 2024 FRINGE SCHOLARSHIP WINNER An American bridesmaid clashes with her Nigerian relatives at a family wedding. But her life changes forever when she traces her deteriorating health to an ancient, mermaid goddess -- and a mysterious drowning ceremony.

As a fat and funny community theater child star, you play mothers and villains. Lucky for Lucy, this had no impact on her psyche whatsoever! Ingénue unites original songs, stand-up comedy, and dazzling dresses in a bold solo cabaret that examines what it means to cast yourself as the ingénue.

A quest to uncover the light hidden within the depths of grief and loss. Andrea Parson blends physical storytelling, comedic commentary, and visceral movement narrative in response to the death of her younger sister to breast cancer in 2020, and in the process brings death to life.