Sins

Immersive & Games · william s. thompson · Ages 17+ · United States of America

Praise for SINS 2022 - NoHo Arts District

June 23, 2022

https://nohoartsdistrict.com/sins-interview/

A NoHo Arts theatre interview with “Sins” writer and director William Thompson on stage at this year’s Hollywood Fringe Festival.

I was lucky enough to see “Sins” at the Hollywood Fringe Festival a couple of years ago, before the world went to pot. I loved it!! Such a brilliant and weirdly wonderful play. You can see my review of it here: https://nohoartsdistrict.com/sins/

We thought we would find out more about the show, the why and the what, so we asked the writer, director and star, William S Thompson, to tell us what he can…without giving too much away!! I hope you see this show!!

Read the interview HERE: https://nohoartsdistrict.com/sins-interview/

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Praise for SINS: 2019

June 06, 2022

Tickets for all performances are Pay What You Want.

Review written by Samantha Simmonds-Ronceros

The Hollywood Fringe Presents: “Sins”

Written and Directed by William Thompson

This is a tough show to review without giving away its secrets…so I will try my very best not to. Suffice it to say it is definitely one of the best shows I have seen this Fringe and anywhere…

It begins pretty traditionally. The lead takes the stage and all too soon we understand that this play was written with the idea that he could unburden himself from his terrible past somehow. Find clarity, meaning or simply tell his story as a cautionary tale, sharing his pain with a view to dissipating it.

But it all takes a very unexpected turn when a member of the audience, in a rather vocal diatribe of extreme umbrage, unceremoniously pontificates about his time being wasted by yet another opus from a broken man seeking solace. As the man takes to the stage to confront the by now very confused and stumb

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NoHo Review of "Sins"

June 24, 2019

Review written by Samantha Simmonds-Ronceros

The Hollywood Fringe Presents: “Sins”

Written and Directed by William Thompson

This is a tough show to review without giving away its secrets…so I will try my very best not to. Suffice it to say it is definitely one of the best shows I have seen this Fringe and anywhere…

It begins pretty traditionally. The lead takes the stage and all too soon we understand that this play was written with the idea that he could unburden himself from his terrible past somehow. Find clarity, meaning or simply tell his story as a cautionary tale, sharing his pain with a view to dissipating it.

But it all takes a very unexpected turn when a member of the audience, in a rather vocal diatribe of extreme umbrage, unceremoniously pontificates about his time being wasted by yet another opus from a broken man seeking solace. As the man takes to the stage to confront the by now very confused and stumbling actor we are taken on a ride down a deep, deep

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