What I liked
The musical numbers were energetic and carried the story forward. The show never took itself too seriously, often breaking the fourth wall with asides or self-aware humor.
What I didn't like
There were a few moments when it was hard to hear dialogue or lyrics. The use of a live band was excellent, but the sound work often played catch up.
My overall impression
“Buffy Kills Edward” is everything I want in a Fringe Play: Pop culture references? Check. Brilliant musical numbers? Check. Pyrotechnics? Check and check. This is a great show. The lion’s share of praise has to be heaped on Laura Wiley, the creator and writer. Her dialogue pops with the same kinetic energy as Whedon (or slugs through the mud, as is applicable for Meyers). The cast, led by the eminent Sherry Berg, digs into their roles and chews the scenery with aplomb. An incredible hour, and my pick for the best of this year’s Fringe.
