Guy Picot (he/him)

Fun show from a super-talented ensemble.... full review

Great little show.... full review

See it if you Can-Can Full Review http://fringereview.co.uk/review/hollywoodfringe/2018/the-parisian-dream/ ... full review

Thought-provoking and timely .....Read full review. http://fringereview.co.uk/review/hollywoodfringe/2018/wounded/... full review

Read full review http://fringereview.co.uk/festival/hollywoodfringe/... full review

Richard Levinson is career pianist and song-writer who found he had enough songs set in bars to put together a show. He wrote the songs and co-wrote the script for last year’s Fringe hit ‘Thanks a lot, the Gratitusical’ for which he he also provided piano accompaniment. This year he edges center-stage and unpacks his basket of wares. The opener, “Welcome to the club” sets the tone, it’s a breezy waltz about men who have probably made bad choices but ostensibly have few regrets. Levinson the ly... full review

Jennifer Kenyon scored a success at last year’s fringe with her one-woman show about triplet vaudevillians (The Last Known Recording of The Lovely Lenore Sisters). This year she again explores the murky territory of sibling relationships with “Aurora and Larry”. The show starts with a welcoming-of-the-sun ritual dance and the twirling of colored silks. Aurora is a woman who is trying to make sense of her life. She and her brother were raised in a hippie commune by their serial deserter father a... full review

Low Down A trio of female victims find their voices in literary mash-up. Review What if three unfortunate female characters from fiction could meet up in a literary no-man’s land and give each other the moral support to try and change their own stories? That is the simple premise for this showcase which manages to hold our attention through very good performances and emerge as a fierce and feisty piece of feminist theatre. We hear a male narrator voice read extracts from “Lolita”, “The... full review

This is a lot of show for one woman and 45 minutes. Ms Merlin sings, dances, plays the lute (and several characters) as she tells the story of England's first celebrity actress. What could be a dry history lesson is so beautifully executed that it ends up being a celebration of theatre itself. Obviously meticulously researched and crafted, the play illuminates a time and place perfectly. The performance is generous and joyful. ... full review

Fantastic Show. Troy Blendell is astonishingly good. The story is disturbing and funny and constantly surprising.... full review