I saw the original production on MIY's gender-swapped take on the Bard's classic (if over done) tragedy. There were strong moments and performances in that version, but it was definitely in the workshop stages as an overall production.
After going contemporary with The Bachelorette, I was glad to see the company return to this piece. The decision paid off immensely. Abby Craden's new, modern direction and the production's simplified and quicker scene changes matched the intense pace used b...
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