TAGGED WITH
Ensemble
MEG JO BETH AMY & LOUISA
ensemble theatre · tier5 · Ages 10+ · United States of America
from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe,
LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!
from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe,
LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!
LINCOLN 2020
ensemble theatre · spacewhale theatre company · Ages 13+ · United States of America
Like a lot of people today, jaded campaign manager Tess Baker (think Jessica Jones meets Josh Lyman) is sick of politics. She’s just about ready to throw in the towel when somebody wakes up a candidate she can work with - Abraham Lincoln.
Like a lot of people today, jaded campaign manager Tess Baker (think Jessica Jones meets Josh Lyman) is sick of politics. She’s just about ready to throw in the towel when somebody wakes up a candidate she can work with - Abraham Lincoln.
SPEAK I WILL: A FRACTURED SHAKESPEARE
ensemble theatre · fractured shakespeare®️ · Ages 13+ · United States of America
By piecing together some of the Bard’s most famous text, the actors create their own unique Fractured Shakespeare monologues. Join us as we combine the words of Beatrice, King Lear, Lady Macbeth, Henry V, Katherina “The Shrew” and more, to explore issues of gender, power, identity, and love.
By piecing together some of the Bard’s most famous text, the actors create their own unique Fractured Shakespeare monologues. Join us as we combine the words of Beatrice, King Lear, Lady Macbeth, Henry V, Katherina “The Shrew” and more, to explore issues of gender, power, identity, and love.
THE LAST CROISSANT
ensemble theatre · the attic collective · Ages 13+ · United States of America
We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.
We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.
TREASON
ensemble theatre · bear elegance productions · Ages 13+ · United States of America
On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.
On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.
MORAL FIXATION (ORIGINALLY TITLED BOYS WILL BE BOYS)
ensemble theatre · cara loften · Ages 16+ · United States of America
*WINNER of THE PRODUCER'S ENCORE AWARD!*
Morality isn't necessarily logical. Watch Caleb and Claire, fiancès wildly in love with a bit of a hooker problem. A (dark) comedy with (a wounded) heart.
*WINNER of THE PRODUCER'S ENCORE AWARD!*
Morality isn't necessarily logical. Watch Caleb and Claire, fiancès wildly in love with a bit of a hooker problem. A (dark) comedy with (a wounded) heart.
THE CIRCLE TABLE
flat tire theatre company · Ages 13+ · United States of America
The Circle Table explores several vignettes threading characters and relationships via FaceTime/phone calls and asks: How does digital communication hamper or enhance analog components of life like love, family, depression, self-exploration and fulfillment?
The Circle Table explores several vignettes threading characters and relationships via FaceTime/phone calls and asks: How does digital communication hamper or enhance analog components of life like love, family, depression, self-exploration and fulfillment?
SILENT JOY, A NEW PLAY
ensemble theatre · empty space artistry · Ages 13+ · United States of America
When a girl trapped by her own demons decides to help Joy, a kind, mysterious boy whose mouth is sewn shut, she must face her darkest memories to find redemption for her new friend. This epic drama of love and forgiveness is brought to life with an ensemble cast and 2 live musicians.
When a girl trapped by her own demons decides to help Joy, a kind, mysterious boy whose mouth is sewn shut, she must face her darkest memories to find redemption for her new friend. This epic drama of love and forgiveness is brought to life with an ensemble cast and 2 live musicians.
HAPPY HOUR
immersive theatre · nina childs productions · Ages 16+ · United States of America
HAPPY HOUR is an immersive sketch comedy in 60 minutes or less from writer/director Nina Childs. A wild sketch show that takes the audience on a roller coaster ride of hilarious ensemble sketches!
HAPPY HOUR is an immersive sketch comedy in 60 minutes or less from writer/director Nina Childs. A wild sketch show that takes the audience on a roller coaster ride of hilarious ensemble sketches!
THE SAME ROOM
ensemble theatre · lucid dramatics · Ages 18+ · United States of America
What happens when you find yourself trapped- alone, in a room with the last person you ever wanted to see again?
What happens when you find yourself trapped- alone, in a room with the last person you ever wanted to see again?
WHY DID THE CHICKEN CROSS THE ROAD?
ensemble theatre · matthew hennigar · Ages 14+ · United States of America
After a critically acclaimed run in London, “Why did the Chicken Cross the Road?” comes to LA as part of the Hollywood Fringe Festival. Turning the familiar joke into a comedic quest, the play follows the words in that joke as they try to figure out their meaning and reach the 'real world'.
After a critically acclaimed run in London, “Why did the Chicken Cross the Road?” comes to LA as part of the Hollywood Fringe Festival. Turning the familiar joke into a comedic quest, the play follows the words in that joke as they try to figure out their meaning and reach the 'real world'.