World Premiere

“We Are The 0%” is a physical, musical, emotional journey delving into socio-political commentary inspired by the OCCUPY WALL-STREET phenomenon. This production is devised and performed entirely by our satirical silent clowns.

After versions of Showgirls, Jurassic Park, Top Gun, Ghostbusters, Teen Witch, Home Alone, and Roadhouse, 30 MINUTE MUSICALS does it again with summer blockbuster, INDEPENDENCE DAY. Evil aliens invade the earth and get a lesson in good ole American ass-kicking in musical theatre fashion.

How important is any given moment in your life? Do we recognize the moments that matter most? Using Joseph Campbell’s ‘Hero’s Journey’ we’re creating a new play which attempts to answer these questions. Follow the process online, right up to opening night, at willplayforfoodtg.wordpress.com

All families have secrets, but some secrets suck more than other. When Julia gets call that her father's liver has exploded, she must travel back to her family home in Tennessee where an especially bad secret is lurking. Warning: This dark comedy may include sex, drugs, and bad country music.

Part bizarre love story, part twisted fairy tale, part mystery thriller and all outrageous and offensive, the 70s cult film comes to the stage with a story of an eccentric family and their adult “Baby” that is so strange and shocking, you won’t believe it’s happening right in front of you. 18+ only.

Most people are awful. Michael is already pretty sick of it, and he’s only six years old. In order to cope with the illogic of daily life, this precocious introvert constructs his own imaginary castle. Despite his attempts to ward off irritating peers, they somehow manage to get under his skin.

IAMAFest is an festival of new one-acts and premieres, featuring both known, established talent and new, emerging voices. Featuring BELA LUGOSI IS DEAD by Jim Macdonald, SINGLE by Ivana Shein, WHAT A PILL by Chiara Atik, and MONTANA by Louise Munson.

Larry Cedar is your guide to the dystopian world of George Orwell via this one-hour adaptation. Through Orwell's literary prism, visit the chaotic kitchens of Down & Out in Paris & London, a barnyard on the brink of creature revolt in Animal Farm, and the futuristic hell that is 1984.

Theatre Unleashed is back with one of their popular 24 Hour Theatre Experiments, and this time they've brought along their friends from the Fringe community for the fun! One night only!

In this darkly comedic one-act, George is faced with the consequences of his paranoia during a surreal four a.m. slide show containing photos of his fiancé taken by JR, the man he hired to follow her. Wit and wisdom provided by a promiscuous bag lady. (Shows at 11 p.m. on Saturdays…so, free drinks!)

Love! War! Gods! Frogs! Tragedy strikes and comedy ensues in five award-winning mini-chamber operas based on Aesop’s Fables Music by Jonathan Price Libretti by Jeff Goode, Jan Michael Alejandro, and the Composer

Tuck is a libertine with a coke addiction and a middling acting career. Gemma is his pill-popping, performance artist girlfriend. When Tuck’s biological clone is released from a lab, the two men embark on a tear of booze, drugs, and clone-sex, leaving Gemma to pick up the pieces and try to move on.

A new comedy about falling for your friends in a modern 20-something world of "no rules" hook-ups in the city of Los Angeles.

Love Actually Isn't is a collection of four one-act plays about love, doubt, closure and compromise. These plays are a funny, sad, and clear-eyed exploration of love that fell apart, love that never happened, and love that's just around every corner.

HOT CAT is an original play created by Theatre Movement Bazaar. Directed by Tina Kronis with text by Richard Alger, and using the talents of Theatre of NOTE’s ensemble. TMB uses a synthesis of dance and theatre, a mixture of comedy & philosophy to create a sexy, succulent & virile dramatic work.