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Four men, two cell phones, one hook-up app ... What could possibly go right?

A college recruiter finds himself and four high schoolers held at gunpoint by another disgruntled kid.

1992 and South Africa is changing. But for one History teacher who grew up during Apartheid, making it through the first day of the school year, and her all white class being racially desegregated, is all the history she needs for one day.

ENCORE WINNER! The Masher is a disturbing and often hysterically funny #MeToo allegory. Three women of wildly different backgrounds find themselves linked together in a minimum wage factory job where their button pushing has horrifying results.

Winner of 2019 Producer Encore Award and nominated for HFF19 Best Immersive, Life Plan is semi-immersive satirical sci-fi—you’re live at a timeshare sales pitch from our dystopian future. Extended for one night only! This is your last chance of 2068 to live your DREAM LIFE, so don’t miss out!

"The Flower Society" by Maryanne Householder, is a one act play that depicts the lives of four homeless women and their survival methods combatted with their personal struggles on the streets.

"A comedy as dark as this town's secrets..." The forced civility at a small town Mayor's debate shows cracks as the shallow and petty candidates dig deep on property taxes, parking meters and cupcake flavors, cracks that begin to reveal a secret horror that has paralyzed the town.

ORANGUTAN is a haunting and absurd one-woman show about the mother of a brutish (slightly orange) would-be dictator, and the tribalism that’s tearing our country apart. FOR MEDIA/PRESS REVIEW TICKETS CONTACT THE PUBLICIST: KUKER & LEE PR at: [email protected]

*PICK OF THE FRINGE* *BEST OF THE BROADWATER* In 1980, Lee Atwater was a scrappy Southern strategist. By 1990, he'd changed American politics forever. A new play about the legacy of the Bad Boy of the GOP, from the creators of HFF18 hits "Keeping Up With the Prozorovs" and "A Beast/A Burden".

On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.