TAGGED WITH
Edgy
TAPPING MY WAY TO THE NUTHOUSE
solo performance · jassem ink · Ages 12+ · United States of America
WE ALL HAVE TO DO SOMETHING TO STAVE OFF THE HORROR, TO BRING IN THE JOY, TO TAKE US TO OUR OWN PRIVATE WORLD WHERE WE CAN FLY. ME, I TAP DANCE.
THE SHOW IS TOLD THROUGH TAP, MIME, CHARACTERS, MUSIC, multi media
THIS YA GOTTA SEE. THERE WILL BE A DOCTOR IN THE AUDIENCE IF IT IS ALL TOO MUCH
WE ALL HAVE TO DO SOMETHING TO STAVE OFF THE HORROR, TO BRING IN THE JOY, TO TAKE US TO OUR OWN PRIVATE WORLD WHERE WE CAN FLY. ME, I TAP DANCE.
THE SHOW IS TOLD THROUGH TAP, MIME, CHARACTERS, MUSIC, multi media
THIS YA GOTTA SEE. THERE WILL BE A DOCTOR IN THE AUDIENCE IF IT IS ALL TOO MUCH
POWER LUNCH
ensemble theatre · easily distracted llc · Ages 16+ · United States of America
A one-act comedy by Alan Ball
A highly ambitious couple battle for control even though they've just met. A satirical look at sex, gender and relationships in a society that values image over personal integrity.
Cast
Joel Flynn
Maddison Bullock
Michael Filippone
Dir.
Jared Boghosian
A one-act comedy by Alan Ball
A highly ambitious couple battle for control even though they've just met. A satirical look at sex, gender and relationships in a society that values image over personal integrity.
Cast
Joel Flynn
Maddison Bullock
Michael Filippone
Dir.
Jared Boghosian
THE INSTITUTE FOR THE OPPOSITE OF LONGING
ensemble theatre · lindsay beamish and vanessa peters · Ages 12+ · United States of America
The Institute for The Opposite of Longing can cure that thing deep in the pit of your body. But what happens when its owners and operators can’t let go of the little boy they had to give back? Please enter the Opposite of Longing Chamber. We can help you. The process is simple.
The Institute for The Opposite of Longing can cure that thing deep in the pit of your body. But what happens when its owners and operators can’t let go of the little boy they had to give back? Please enter the Opposite of Longing Chamber. We can help you. The process is simple.
SINS
Immersive & Games · william s. thompson · Ages 17+ · United States of America
Can we ever stop paying for the past? Can the person we want to be ever escape the person we are now and were then? What price must be paid for not only our own crimes, but those of people close to us? Sins is a frank look at what we all deal with when we cannot overcome our own failings.
Can we ever stop paying for the past? Can the person we want to be ever escape the person we are now and were then? What price must be paid for not only our own crimes, but those of people close to us? Sins is a frank look at what we all deal with when we cannot overcome our own failings.
BLUE KISS
ensemble theatre · stealfire productions / fable entertainment · Ages 15+ · United States of America
An SAT tutoring session takes a shocking turn when the teacher realizes that his new student is not who she claimed to be, in this intense nerve-racking drama.
| www.bluekissplay.com
An SAT tutoring session takes a shocking turn when the teacher realizes that his new student is not who she claimed to be, in this intense nerve-racking drama.
| www.bluekissplay.com
MIL GRUS
dance & physical theatre · mil grus · Ages 15+ · United States of America
LA’s premier bouffon troupe is a motley crew of miscreants who have crawled out of the gutter to make you question reality. This timeless satire features improvised feats of physical and existential comedy that defy explanation and provoke unfettered, eery glee. Come see what's behind the curtain...
LA’s premier bouffon troupe is a motley crew of miscreants who have crawled out of the gutter to make you question reality. This timeless satire features improvised feats of physical and existential comedy that defy explanation and provoke unfettered, eery glee. Come see what's behind the curtain...
WHAT? A STORY SHOW
ensemble theatre · pop-up theater · Ages 12+ · United States of America
GROWING THROUGH IT
each real story starts and stops as they intersect, interact & intertwine. performers come into and act out each other's stories.
GROWING THROUGH IT
each real story starts and stops as they intersect, interact & intertwine. performers come into and act out each other's stories.
RED BAR
ensemble theatre · blj productions/lahser theatricals · Ages 18+ · United States of America
Are you looking for a place where everybody knows your name? A safe place of like-minded individuals? A support group, for the likes of you? A Serial Killer? Then the Red Bar is for you.
Remember, what happens at the Red Bar stays at the Red Bar. Don’t talk about the Red Bar.
Are you looking for a place where everybody knows your name? A safe place of like-minded individuals? A support group, for the likes of you? A Serial Killer? Then the Red Bar is for you.
Remember, what happens at the Red Bar stays at the Red Bar. Don’t talk about the Red Bar.
CREDITORS BY AUGUST STRINDBERG
ensemble theatre · black box thespians · Ages 17+ · United States of America
Strindberg’s Creditors is a powerful psychodrama, which has a comedic flare. Adolph, a painter is developing a neurological disorder, has been befriended by Gustav, who both inspires him and feeds his mind with doubts and insecurities about work, his wife, his masculinity and his mortality.
Strindberg’s Creditors is a powerful psychodrama, which has a comedic flare. Adolph, a painter is developing a neurological disorder, has been befriended by Gustav, who both inspires him and feeds his mind with doubts and insecurities about work, his wife, his masculinity and his mortality.
GUILT
ensemble theatre · cyanide theatre · Ages 16+ · United States of America
A man searching for a phantom armadillo. A priest breaking from her faith. Former multiple award-winning Hollywood Fringe vets team up to present two original short plays: ‘The Holy Name of Apostasy’ by Ryan Lisman, and ‘Man vs. Armadillo’ by Benjamin Schwartz.
A man searching for a phantom armadillo. A priest breaking from her faith. Former multiple award-winning Hollywood Fringe vets team up to present two original short plays: ‘The Holy Name of Apostasy’ by Ryan Lisman, and ‘Man vs. Armadillo’ by Benjamin Schwartz.