TAGGED WITH

Tragedy

HABLA Y TE SALVAS: TRUE STORIES OF A NO SABO KID FROM QUEENS & HIS GUAYACO DAD

Two Person Show · fail better nyc · Ages 16+ · 80 mins · United States of America
A clock on stage counts down from 80 mins as Christopher introduces you to the messy Ecuadorian man of his life: his dad, Abel. At 80, Abel makes his performance debut (yes, really) as Christopher unpacks their once estranged relationship via boxes & broken Spanglish in this comedic solo-ish show.
A clock on stage counts down from 80 mins as Christopher introduces you to the messy Ecuadorian man of his life: his dad, Abel. At 80, Abel makes his performance debut (yes, really) as Christopher unpacks their once estranged relationship via boxes & broken Spanglish in this comedic solo-ish show.

BLACK BASTARD

jon gentry · Ages 18+ · 1hr · United States of America
What does it mean to grow up as the black sheep? “Black Bastard” weaves memoir, character transformation, and socio-cultural commentary in a jambalaya invoking '90s nostalgia. Southern. Creole. Queer. It's a fusion of storytelling exploring identity, expression, and our collective search for home.
What does it mean to grow up as the black sheep? “Black Bastard” weaves memoir, character transformation, and socio-cultural commentary in a jambalaya invoking '90s nostalgia. Southern. Creole. Queer. It's a fusion of storytelling exploring identity, expression, and our collective search for home.

GREAT AUNT ISLA CHRONICLES

Solo Show · big prairie productions, kirsten vangsness, kelie mciver, eric schaeffer · Ages 16+ · 75 mins · United States of America
What happens when the patriarchal monster in your feminist head is really you? You conjure up your dead maiden aunt to guide you through a hymn of movement, sound, stories, ghostly conversations, humor, and aprons — oh so many aprons.
What happens when the patriarchal monster in your feminist head is really you? You conjure up your dead maiden aunt to guide you through a hymn of movement, sound, stories, ghostly conversations, humor, and aprons — oh so many aprons.