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BOUND

ensemble theatre · parishunterpaul · Ages 12+ · United Kingdom of Great Britain and Northern Ireland
Six actors, five chairs, one table, and an ocean...Bound to and by the sea, 6 fishermen discover, despite their differences, a deep bond with each other. But risking storms, friendships, and relationships ashore, will the crew lose more than just a way of life?
Six actors, five chairs, one table, and an ocean...Bound to and by the sea, 6 fishermen discover, despite their differences, a deep bond with each other. But risking storms, friendships, and relationships ashore, will the crew lose more than just a way of life?

TILT

ensemble theatre · bam · Ages 17+ · world premiere · United States of America
**TOP OF THE FRINGE - NOMINEE** *STAGE RAW TOP TEN* Two strangers’ road trip unravels when they decide to try to extort money from a DMV bribery scheme. A blistering dark comedy starring HFF award-winners Ben Moroski and Michael Shaw Fisher.
**TOP OF THE FRINGE - NOMINEE** *STAGE RAW TOP TEN* Two strangers’ road trip unravels when they decide to try to extort money from a DMV bribery scheme. A blistering dark comedy starring HFF award-winners Ben Moroski and Michael Shaw Fisher.

SQUEEZE MY CANS

solo performance · cathy schenkelberg · Ages 16+ · world premiere · one person show · United States of America
The Church of Scientology had actress Cathy Schenkelberg for 14 years; 5 years after leaving them behind, she has the courage to tell us all about it. This hilarious and horrifying story unfolds under the direction of Shirley Anderson.
The Church of Scientology had actress Cathy Schenkelberg for 14 years; 5 years after leaving them behind, she has the courage to tell us all about it. This hilarious and horrifying story unfolds under the direction of Shirley Anderson.

ONE STEP OVER

ensemble theatre · bsd productions and cyanide theatre · Ages 17+ · United States of America
By rapid turns sad, hilarious and truly terrifying, ONE STEP OVER follows the exploits of a group of gonzo Wall Street brokers who share no compunction about stealing from their clients, alienating their families, and turning on each other if it means making more money.
By rapid turns sad, hilarious and truly terrifying, ONE STEP OVER follows the exploits of a group of gonzo Wall Street brokers who share no compunction about stealing from their clients, alienating their families, and turning on each other if it means making more money.

HAMLET

ensemble theatre · boundless artists theatre company · Ages 13+ · United States of America
Shakespeare's Hamlet cut and adapted for modern audiences. Set in the 1940s in a struggling Las Vegas with the mob as the Royal Family.
Shakespeare's Hamlet cut and adapted for modern audiences. Set in the 1940s in a struggling Las Vegas with the mob as the Royal Family.

LAS GARCIA - BEYOND ENCORE

solo performance · ortegart/lok's angeles productions · Ages 16+ · world premiere · one person show · United States of America
Dreams are contagious and meant to be shared. But what happens when a nightmare creeps in there too? Las García is a docudrama about two women of the same bloodline, living in different generations, yet experiencing the same circumstances: The afflictions that love brings.
Dreams are contagious and meant to be shared. But what happens when a nightmare creeps in there too? Las García is a docudrama about two women of the same bloodline, living in different generations, yet experiencing the same circumstances: The afflictions that love brings.

THE INDIAN WANTS THE BRONX

ensemble theatre · critical action theatre company · Ages 15+ · United States of America
The Indian wants the Bronx examines the delicate balance of Racism and communication in an ever changing world, where ignorance and innocence go hurtling at break neck speed towards one another. A play as relevant in 2016 as it was when it was written in 1967.
The Indian wants the Bronx examines the delicate balance of Racism and communication in an ever changing world, where ignorance and innocence go hurtling at break neck speed towards one another. A play as relevant in 2016 as it was when it was written in 1967.

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