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BEST BUDDIES: THE HIP-HOP MUSICAL

musicals and operas good shows · Ages 13+ · family friendly · world premiere · United States of America
From Conor Hanney, the writer-director of the award-winning DIVORCE: THE HIP-HOP MUSICAL and STRANGER THINGS: THE MUSICAL TRIBUTE, comes a hip-hop musical comedy with 12 original songs, 1 beatboxer, and 10 actors, half of which have special needs.
From Conor Hanney, the writer-director of the award-winning DIVORCE: THE HIP-HOP MUSICAL and STRANGER THINGS: THE MUSICAL TRIBUTE, comes a hip-hop musical comedy with 12 original songs, 1 beatboxer, and 10 actors, half of which have special needs.

MANSON'S GIRLS

musicals and operas new musicals inc. · Ages 17+ · world premiere · United States of America
“One of the best Musicals I have seen at Fringe.” A parable about those who follow the voice of authority without stopping to question. With a driving rock score. A brand new musical from New Musicals Inc.
“One of the best Musicals I have seen at Fringe.” A parable about those who follow the voice of authority without stopping to question. With a driving rock score. A brand new musical from New Musicals Inc.

ONE LAST THING BEFORE YOU GO

some company · Ages 18+ · flashing lights · world premiere · United States of America
A unique, immersive, interactive experience for one audience member along the supernatural border between life, death, and afterlife. From the team that brought you “Fallen Stars at the Charity Sale” at HFF ’17, called “one of the most innovative premises at this year’s Fringe,” from My Haunt Life.
A unique, immersive, interactive experience for one audience member along the supernatural border between life, death, and afterlife. From the team that brought you “Fallen Stars at the Charity Sale” at HFF ’17, called “one of the most innovative premises at this year’s Fringe,” from My Haunt Life.

BLUE NIGHT/PERILOUS NIGHT

solo performance n/a · Ages 18+ · one person show · United States of America
Rory Cello. I'm a private eye and a female person. Guy comes into my office one night: not good. There's a grisly death on railroad tracks; tortured love story. Time: 1957 maybe? Place: Midwest-ish? Genre: Noir poem. But no rhyming. Free show. So please come. I need the money.
Rory Cello. I'm a private eye and a female person. Guy comes into my office one night: not good. There's a grisly death on railroad tracks; tortured love story. Time: 1957 maybe? Place: Midwest-ish? Genre: Noir poem. But no rhyming. Free show. So please come. I need the money.

NOBODY'S REALLY HELPED ME

comedy independent · Ages 14+ · one person show · United States of America
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.

STRIPPED

solo performance self · Ages 18+ · world premiere · one person show · United States of America
An exotic dancer takes the stage to strip her life bare in this intimate, fully exposed tell-all musical portrait of one woman's journey to self love and happiness.
An exotic dancer takes the stage to strip her life bare in this intimate, fully exposed tell-all musical portrait of one woman's journey to self love and happiness.

FRESH MEAT

karen bram casady · world premiere · United States of America
A dalliance with cannibals and furries whereby one small algorithm goes awry and all hell breaks loose.
A dalliance with cannibals and furries whereby one small algorithm goes awry and all hell breaks loose.

MICHAEL KEARNS' BLOODBOUND

ensemble theatre moon mile run · Ages 17+ · flashing lights · United States of America
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.
"The unmistakable voice of a playwright who has something important to say," writes John Paul King, LA BLADE. Michael Kearns' work has been seen on L.A. stages for forty years and once again he magically transforms the forbidden into something beautiful.

HOW TO BE LAZY AND NOT FEEL GUILTY

comedy leaky faucet & sons · Ages 15+ · world premiere · United States of America
A hilarious social satire about a woman who overworks herself until she goes mad! ...yay? Follow Jenine and a psychotic ensemble of characters - including her boss, family, Sponsors(tm), Satan and coworkers - as they collectively run her into the ground!
A hilarious social satire about a woman who overworks herself until she goes mad! ...yay? Follow Jenine and a psychotic ensemble of characters - including her boss, family, Sponsors(tm), Satan and coworkers - as they collectively run her into the ground!

KEEPING UP WITH THE PROZOROVS

comedy unicornland partners · Ages 16+ · world premiere · United States of America
A dark, outrageous comedy about how Chekhov's Three Sisters finally made it to Moscow... and became the Kardashians.
A dark, outrageous comedy about how Chekhov's Three Sisters finally made it to Moscow... and became the Kardashians.

THE COMPLETE WORKS OF JULIA ROBERTS: A PARODY MUSICAL

d&b productions · Ages 16+ · flashing lights · world premiere · United States of America
A twenty-something without direction looks for guidance from the Julia Roberts filmography to manage her misogynist boss, overbearing family, friends who have achieved far greater success, and non-existent love life. Can she navigate life channeling the roles made famous by Julia Roberts?
A twenty-something without direction looks for guidance from the Julia Roberts filmography to manage her misogynist boss, overbearing family, friends who have achieved far greater success, and non-existent love life. Can she navigate life channeling the roles made famous by Julia Roberts?

LIVING BETWEEN THE LINES: WHEN EVERY TRIBE ISN’T YOUR TRIBE

solo performance n/a · Ages 13+ · one person show · United States of America
A show on the fringe of the Fringe...? A one-man cabaret about never, EVER fitting in as told through four days in the 1990's. "The pay-off is simply astounding." (Five Stars) - FringeFEED.com.au "A master of the present moment." - Audience Review, HFF2018
A show on the fringe of the Fringe...? A one-man cabaret about never, EVER fitting in as told through four days in the 1990's. "The pay-off is simply astounding." (Five Stars) - FringeFEED.com.au "A master of the present moment." - Audience Review, HFF2018

A VERY DIE HARD CHRISTMAS

theatre unleashed · Ages 13+ · flashing lights · United States of America
High above the city of L.A., a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He's alone, tired...and he doesn't like Christmas. Yippee Ki-Yay.
High above the city of L.A., a team of terrorists has seized a building, taken hostages, and declared war. One man has managed to escape. An off-duty cop hiding somewhere inside. He's alone, tired...and he doesn't like Christmas. Yippee Ki-Yay.

THE DAY I BECAME BLACK

One More Chance bill posley · Ages 18+ · United States of America
Biracial Bill Posley grew up happily identifying as both black & white. But at 10 yrs old he learns the world does in fact judge a book by it's color, & even though he's half white he's labeled 100% black. Does a young comedian have to get rid of his whiteness, to be the color he's "supposed" to be?
Biracial Bill Posley grew up happily identifying as both black & white. But at 10 yrs old he learns the world does in fact judge a book by it's color, & even though he's half white he's labeled 100% black. Does a young comedian have to get rid of his whiteness, to be the color he's "supposed" to be?

THE DANGEROUS CURES OF DR. B

ensemble theatre the puckwit gang · Ages 18+ · world premiere · United States of America
A gonzo retelling of true events exploring the mechanics of belief, the power of the ego, and the birth of mass marketing as satisfied patients, skeptical experts, and sacrificial livestock respond to the unusual medical techniques of the worst doctor and best scoundrel America has ever seen.
A gonzo retelling of true events exploring the mechanics of belief, the power of the ego, and the birth of mass marketing as satisfied patients, skeptical experts, and sacrificial livestock respond to the unusual medical techniques of the worst doctor and best scoundrel America has ever seen.