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NOBODY'S REALLY HELPED ME

comedy · independent · Ages 14+ · one person show · United States of America
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.
“Nobody’s Really Helped Me” is a one-woman musical comedy written and performed by Lanessa Long. It is made up of songs and stories about art and education, angst, identity, and encapsulates the melodramatic nature of being 22.

VIRTUAL REALITY BY ALAN ARKIN

comedy · the extra mile workshop · Ages 13+ · United States of America
Whose reality is it, anyway? In the tug of war between who is right and who is left, there can only be two winners. Or two losers. With Jeff Elam and Matt Tramel, Directed by Glenn Morshower. Produced by special arrangement with Samuel French, Inc.
Whose reality is it, anyway? In the tug of war between who is right and who is left, there can only be two winners. Or two losers. With Jeff Elam and Matt Tramel, Directed by Glenn Morshower. Produced by special arrangement with Samuel French, Inc.

ENCORE PERFORMANCE "WE ARE TRAFFIC: A RIDESHARE ADVENTURE

One More Chance · stephanie feury theater · Ages 18+ · one person show · United States of America
The live, interactive adventures of a Los Angeles Uber/Lyft driver and YOU, the passengers! **Broadwater Encore Award 2018 Hollywood Fringe!!** **Sweet - Better Lemons**
The live, interactive adventures of a Los Angeles Uber/Lyft driver and YOU, the passengers! **Broadwater Encore Award 2018 Hollywood Fringe!!** **Sweet - Better Lemons**

LEFT TURNS

solo performance · grimaldi productions · Ages 16+ · world premiere · one person show · United States of America
“Left Turns” is a story where Laura takes you on a ride speaking candidly about her journey through abuse, trauma and finally finding the light on life’s highway. Sometimes life's journey is about ignoring the GPS and actually stopping to read the signs. Recalculate your G-Spot!
“Left Turns” is a story where Laura takes you on a ride speaking candidly about her journey through abuse, trauma and finally finding the light on life’s highway. Sometimes life's journey is about ignoring the GPS and actually stopping to read the signs. Recalculate your G-Spot!

BEST BUDDIES: THE HIP-HOP MUSICAL

musicals and operas · good shows · Ages 13+ · family friendly · world premiere · United States of America
From Conor Hanney, the writer-director of the award-winning DIVORCE: THE HIP-HOP MUSICAL and STRANGER THINGS: THE MUSICAL TRIBUTE, comes a hip-hop musical comedy with 12 original songs, 1 beatboxer, and 10 actors, half of which have special needs.
From Conor Hanney, the writer-director of the award-winning DIVORCE: THE HIP-HOP MUSICAL and STRANGER THINGS: THE MUSICAL TRIBUTE, comes a hip-hop musical comedy with 12 original songs, 1 beatboxer, and 10 actors, half of which have special needs.

MARILYN MONROE: THE LAST INTERVIEW

One More Chance · paris productions · Ages 18+ · includes nudity · world premiere · one person show · United States of America
"Marilyn Monroe: The Last Interview" (the raw truth of a hollywood legend), based on her final interview for Life Magazine in 1962, explores the life, loves, career, and tragedies in Marilyn's life.
"Marilyn Monroe: The Last Interview" (the raw truth of a hollywood legend), based on her final interview for Life Magazine in 1962, explores the life, loves, career, and tragedies in Marilyn's life.

OLD FRENEMIES

red squirrels united · Ages 12+ · includes nudity · world premiere · United States of America
This play was offered an Encore Award but our cast were busy with TV and film commitments and had to decline. Any inquiries please email [email protected] Charlotte hasn't seen her nemesis, Lesley for thirty years. Lesley stole Charlotte's childhood sweetheart from her.
This play was offered an Encore Award but our cast were busy with TV and film commitments and had to decline. Any inquiries please email [email protected] Charlotte hasn't seen her nemesis, Lesley for thirty years. Lesley stole Charlotte's childhood sweetheart from her.

MY MOM DIED WHEN I WAS 14 (A COMEDY)

goodnight orchard films · Ages 18+ · world premiere · one person show · United States of America
An one man show from Matthew Gudernatch, who touches on what it was like to lose his mother at a tender age. There are stories, songs, jokes, and other attempts to turn all of the unending pain he's endured into a fun performance with maybe just a pinch of male nudity. (It's a comedy)
An one man show from Matthew Gudernatch, who touches on what it was like to lose his mother at a tender age. There are stories, songs, jokes, and other attempts to turn all of the unending pain he's endured into a fun performance with maybe just a pinch of male nudity. (It's a comedy)

AMERICAN CONSPIRACY

ensemble theatre · cyanide theatre · world premiere · United States of America
In 1981, John Hinckley Jr. tried to assassinate Ronald Reagan. We know why...Possibly. A new drama from Benjamin Schwartz & Matt Ritchey (Creators of ANGEL’S FLIGHT: Best Cabaret & Variety Winner 2016-Top of the Fringe Nominee 2016).
In 1981, John Hinckley Jr. tried to assassinate Ronald Reagan. We know why...Possibly. A new drama from Benjamin Schwartz & Matt Ritchey (Creators of ANGEL’S FLIGHT: Best Cabaret & Variety Winner 2016-Top of the Fringe Nominee 2016).

VILLAIN - AN AMERICAN STORY

ensemble theatre · from the gut creations · Ages 13+ · flashing lights · world premiere · United States of America
"Villain" compares the lives of two families who have to deal with the aftermath of the same tragedy, the shooting of a black teenage boy by a white police officer. To live righteously, must we create a villain?
"Villain" compares the lives of two families who have to deal with the aftermath of the same tragedy, the shooting of a black teenage boy by a white police officer. To live righteously, must we create a villain?

THE DAY I BECAME BLACK

One More Chance · bill posley · Ages 18+ · United States of America
Biracial Bill Posley grew up happily identifying as both black & white. But at 10 yrs old he learns the world does in fact judge a book by it's color, & even though he's half white he's labeled 100% black. Does a young comedian have to get rid of his whiteness, to be the color he's "supposed" to be?
Biracial Bill Posley grew up happily identifying as both black & white. But at 10 yrs old he learns the world does in fact judge a book by it's color, & even though he's half white he's labeled 100% black. Does a young comedian have to get rid of his whiteness, to be the color he's "supposed" to be?

STILL

ensemble theatre · liv productions · Ages 16+ · world premiere · South Africa
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?
"He's the victim, Nick, and I'm the drunk girl." After the music has died, the red cups trashed, the gavel’s fallen and the sentence passed down - what remains?

BUTOH MEDEA

dance & physical theatre · ren gyo soh · Ages 16+ · includes nudity · one person show · Japan
Adapting Greek Myth and Euripides' Medea and using Japanese Butoh dance , Yokko brings the spirit of Medea alive. This fusion of Eastern dance and Western drama invites the audience inside Medea’s dark, desperate struggle. Trapped in the underworld, she is forever cursed to relive her tragic life.
Adapting Greek Myth and Euripides' Medea and using Japanese Butoh dance , Yokko brings the spirit of Medea alive. This fusion of Eastern dance and Western drama invites the audience inside Medea’s dark, desperate struggle. Trapped in the underworld, she is forever cursed to relive her tragic life.

A BEAST/A BURDEN

glass half productions · Ages 18+ · world premiere · United States of America
Before Chris Burden became known to millions with his "Urban Lights" exhibit at LACMA, he spent his early years as the most controversial and subversive performance artist in the United States, putting himself and others in uncomfortable and sometimes dangerous situations for his art.
Before Chris Burden became known to millions with his "Urban Lights" exhibit at LACMA, he spent his early years as the most controversial and subversive performance artist in the United States, putting himself and others in uncomfortable and sometimes dangerous situations for his art.

THE UNIVERSE (101)

cabaret & variety · cavort theatre · Ages 14+ · world premiere · United States of America
Pick of the Fringe 2018! Cavort Theatre's quantum clown Norbut Yetso and time-travelling mind maven Evanion the Great unleash an hour of comic mishaps in an attempt to reboot the Universe! Magic, mayhem, audience interaction, science and the paranormal collide. Reality will never be the same!
Pick of the Fringe 2018! Cavort Theatre's quantum clown Norbut Yetso and time-travelling mind maven Evanion the Great unleash an hour of comic mishaps in an attempt to reboot the Universe! Magic, mayhem, audience interaction, science and the paranormal collide. Reality will never be the same!