music

"Every day's a goddamn audition." Based on the "Serial Killers" 2018 Playoffs winner, COME BACK is the hilarious yet touching story of Edie and Petey Stevenson, an overbearing stage mother and her hapless son, attempting to stage a "comeback" performance.

Best of Broadwater 2019, this musical features award winning singer/songwriter Brian Joseph. Through songs, words and photos, he presents a funny, moving portrait of a cancer caregiver, enraged by soup and ghosts. "Joseph is an actor, singer and songwriter of the first order.” - Oakland Tribune

The story of a young (transgender) woman (Mary), taken in by her siblings since being rejected at home and by her girlfriend. Intolerance plagues Mary as America's growing cultural divide has made her a stranger in her own country. Features the songs of Laura Espinoza & Lunden Reign.

Neil, a mediocre musician and Kurt Cobain wannabe, moves to Los Angeles to "make it" as a rockstar. Through the constant ups and downs of LA living, Neil struggles with pursuing his passion or doing what is practical. Should he keep chasing his dreams or stop?

"Falling On Deaf Eyes" is an autobiographical Dramedy about a rambunctious teenage punk rocker living with his single Deaf mother. This is a unique, one-of-a-kind show, an inspirational and universal portrayal of human courage and survival.

In 1936, producers searched to find an unknown to play Scarlett O'Hara in Gone with the Wind. This fully scripted creation unfolds in 10 moments incorporating stylized movement, dance, song, original text, several suitcases, and the great Scarlett dress. All accompanied by live percussion.

Temple Tantrum is a one woman show about surviving a cult, internalizing my abusers, and finally beating my own worst enemy- ME! It’s hilarious!

The Dusty Spur Saloon is in danger! The dastardly Dallas Devereaux is threatening to shut it down. Marybeth and Maybelline Maynard have no recourse but to hire a good ol’ fashioned gunslinger to help protect their bar. Will they succeed? Or will Dallas and his henchman be too formidable to foil?

from the team behind the 2017 Hollywood Fringe International Award Winner & Pick of the Fringe, LADIES IN WAITING: THE JUDGEMENT OF HENRY VIII, comes their next project... Inspired by Louisa May Alcott's classic: Part biography, part adaptation, but definitely NOT your Marmee's Little Women!

Sistahs Ink Productions presents An Yet Another Evening With The Sistahs' "Unsung Sheroes". We travel back in time to hear three historical black women from the unknown to the known. On this particular journey we hear from Anarcha, Ellen Craft and Shirley Chisholm. Join us on this remarkable trip!

An autobiographical peak into the life of an African-American, gay parent of a three-legged cat. Kelvin Blunt shares his eventful experiences with weight loss and gain, dating in the gay-app era, being called "daddy" while having daddy issues, and his interactions with the...woke-challenged.

Nothing happens. Everything changes. (run time change: 90 minutes) In the 90s at a 24 hour diner with the irregulars and the waitstaff that endure them. New arrivals upset the delicate stasis. They're not searching for meaning, they're hiding from it. One night seen from inside then out.

WINNER – Best of the Broadwater, NOMINATED – "Best Musical" and "Don’t Wait. Create!" awards: A disgraced ex-astronaut tries to redeem her tarnished image, with mixed results. A world-premiere musical comedy from the creative team that brought you last year's Fringe hit, "Disasteroid!"

Lisa Verlo's solo show HOLLYWOODN'T is a personal journey across Hollywood's unsettling sexual landscape and casting couches of LA. Directed by and developed with Jessica Lynn Johnson, it is a musical memoir told with candor and insight into the life of an actress before women dared to speak up.

Mara lived as male most of her life. Mimi was raised in a traditional Catholic family. They fell in love, got married, and everything changed. As Mara struggles with her gender identity, Mimi struggles with letting go of long-held beliefs enough to acknowledge that she could love someone like Mara.