FUNERAL POTATOES

ensemble theatre · boomstick theater · Ages 13+ · 30 mins · United States of America
A dark comedy about death and friendship, Funeral Potatoes examines what makes it all worth it when you’ve spent your entire life planning for a future you won’t have.
A dark comedy about death and friendship, Funeral Potatoes examines what makes it all worth it when you’ve spent your entire life planning for a future you won’t have.

TRIBUNAL

ensemble theatre · scenario · Ages 10+ · United States of America
A one-act satirical dramedy based on the true-life events of Lindsay Shepherd, grad student, who sparked major controversy by posting a secret recording of a tribunal where she was accused of violating human rights law for showing a video of Jordan Peterson discussing gendered pronoun use in class.
A one-act satirical dramedy based on the true-life events of Lindsay Shepherd, grad student, who sparked major controversy by posting a secret recording of a tribunal where she was accused of violating human rights law for showing a video of Jordan Peterson discussing gendered pronoun use in class.

BOXING LESSONS

ensemble theatre · the new american theatre · Ages 12+ · world premiere · 85 mins · United States of America
LA TIMES CRITICS' CHOICE! One family, a three-legged dog, and a gazillion secrets New dark comedy by John Bunzel, directed by Jack Stehlin
LA TIMES CRITICS' CHOICE! One family, a three-legged dog, and a gazillion secrets New dark comedy by John Bunzel, directed by Jack Stehlin

BUTCHER HOLLER HERE WE COME!

ensemble theatre · a economy · Ages 13+ · 75 mins · United States of America
1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unravelling sense of passing time, and, even more threatening, their own competing natures. Learn More at NewYorkIsDead.Net
1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unravelling sense of passing time, and, even more threatening, their own competing natures. Learn More at NewYorkIsDead.Net

MONSTERS OF MAN: A SUPERNATURAL ANTHOLOGY

ensemble theatre · mb stage productions, llc · Ages 14+ · world premiere · United States of America
Sometimes the things we fear are not always the creatures that go bump in the night. The Monsters of Man: A Supernatural Anthology combines an element of the everyday with a splash of the supernatural.
Sometimes the things we fear are not always the creatures that go bump in the night. The Monsters of Man: A Supernatural Anthology combines an element of the everyday with a splash of the supernatural.

EL HOOD DE MACPUERCO

ensemble theatre · young rich artists · Ages 15+ · world premiere · United States of America
For the hood by the hood.
For the hood by the hood.

GUILT

ensemble theatre · cyanide theatre · Ages 16+ · world premiere · 1hr · United States of America
A man searching for a phantom armadillo. A priest breaking from her faith. Former multiple award-winning Hollywood Fringe vets team up to present two original short plays: ‘The Holy Name of Apostasy’ by Ryan Lisman, and ‘Man vs. Armadillo’ by Benjamin Schwartz.
A man searching for a phantom armadillo. A priest breaking from her faith. Former multiple award-winning Hollywood Fringe vets team up to present two original short plays: ‘The Holy Name of Apostasy’ by Ryan Lisman, and ‘Man vs. Armadillo’ by Benjamin Schwartz.

THE LAST CROISSANT

ensemble theatre · the attic collective · Ages 13+ · 90 mins · United States of America
We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.
We all go to the woods for our own reasons. Imogen wants Frederick’s love. He wants to see a rare bird. Toby wants to find herself. Ranger Dave wants to help. Bear needs everyone to please remain calm. Nine crowded campers will take you to the campfire to ponder loneliness, gender, and great snacks.

ALL OUR PRETTY SONGS

ensemble theatre · schularan productions · Ages 16+ · world premiere · 1hr · United States of America
Neil, a mediocre musician and Kurt Cobain wannabe, moves to Los Angeles to "make it" as a rockstar. Through the constant ups and downs of LA living, Neil struggles with pursuing his passion or doing what is practical. Should he keep chasing his dreams or stop?
Neil, a mediocre musician and Kurt Cobain wannabe, moves to Los Angeles to "make it" as a rockstar. Through the constant ups and downs of LA living, Neil struggles with pursuing his passion or doing what is practical. Should he keep chasing his dreams or stop?

HOBOKEN

ensemble theatre · the waverly writers collective · Ages 16+ · flashing lights · 90 mins · United States of America
Jack and Erica find love after a one-night stand. She wants to be a famous actress and he's a mysterious Irishman who has the money to make her dreams come true – until a Russian screenplay, two million dollars in unmarked bills and taboo desires threaten to tear them apart. How much is too much?
Jack and Erica find love after a one-night stand. She wants to be a famous actress and he's a mysterious Irishman who has the money to make her dreams come true – until a Russian screenplay, two million dollars in unmarked bills and taboo desires threaten to tear them apart. How much is too much?

TREASON

ensemble theatre · bear elegance productions · Ages 13+ · world premiere · 70 mins · United States of America
On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.
On a ranch in Nevada, Grant Wilson rules a made-up nation through empty shows of power and ridiculous propaganda, with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.

DANNY AND THE DEEP BLUE SEA

ensemble theatre · no company · Ages 18+ · 90 mins · United States of America
A man and a woman, both lonely and broken, meet in a Bronx bar...a violent dance ensues.
A man and a woman, both lonely and broken, meet in a Bronx bar...a violent dance ensues.

TRANSACTIONS

ensemble theatre · mmmkay productions · Ages 16+ · family friendly · world premiere · 80 mins · United States of America
TransActions is a collection of both comedic and dramatic one- act plays that deal with LGBTQ issues including gender identity, career, sexual desires, self acceptance, and relationships. The five plays are: “Alexis”, “A Song For Jenny”, “Outside, Looking In”, "Nirvana" and “I Feel Like A Woman”.
TransActions is a collection of both comedic and dramatic one- act plays that deal with LGBTQ issues including gender identity, career, sexual desires, self acceptance, and relationships. The five plays are: “Alexis”, “A Song For Jenny”, “Outside, Looking In”, "Nirvana" and “I Feel Like A Woman”.

A NIGHT OUT BY HAROLD PINTER

ensemble theatre · benevitriol productions · Ages 13+ · 1hr · United Kingdom of Great Britain and Northern Ireland
Albert, an introverted insurance firm employee still lives with his co-dependent mother in South London. After his office buddies convince him to come to the firm's office party, a dire case of mistaken identity will shift his life into a very disturbing direction.
Albert, an introverted insurance firm employee still lives with his co-dependent mother in South London. After his office buddies convince him to come to the firm's office party, a dire case of mistaken identity will shift his life into a very disturbing direction.

FURY

ensemble theatre · scenario · Ages 16+ · 1hr · United States of America
When her 6 year-old girl is abducted, and the police can’t/won’t help, Sarah goes after the drug dealer she is convinced took her daughter, despite his claims of innocence. How far should she go to get to the truth, when she has no actual proof, just her mother's intuition, and what if she’s wrong?
When her 6 year-old girl is abducted, and the police can’t/won’t help, Sarah goes after the drug dealer she is convinced took her daughter, despite his claims of innocence. How far should she go to get to the truth, when she has no actual proof, just her mother's intuition, and what if she’s wrong?