FACE DIVIDED

ensemble theatre · michael antosy · Ages 18+ · United States of America
As Debbie and Freddie wait in an emergency room for news on their daughter, the couple struggle over who is to blame for her accident, ultimately facing the most important--and divisive--decision of their lives.
As Debbie and Freddie wait in an emergency room for news on their daughter, the couple struggle over who is to blame for her accident, ultimately facing the most important--and divisive--decision of their lives.

BLACKBALLED

ensemble theatre · red flag media productions · Ages 13+ · world premiere · United States of America
Following the team owners' struggles to bring their underfunded league to prominence despite the odds; "BlackBalled" is an intimate look at the rise and fall of Negro League Baseball.
Following the team owners' struggles to bring their underfunded league to prominence despite the odds; "BlackBalled" is an intimate look at the rise and fall of Negro League Baseball.

A LIGHT ROMP THROUGH THE MINEFIELD OF SEXUAL HARASSMENT

ensemble theatre · rhombus ensemble · Ages 15+ · world premiere · United States of America
Sexual harassment is so 2017, isn't it? Are there good guys? This plucky one-act exploits the comedy in a good old fashioned sexual harassment lawsuit. John is a mediocre lawyer with a hard core love obsession with his ex-wife and a small penchant for dick pics. Hilarity ensues!
Sexual harassment is so 2017, isn't it? Are there good guys? This plucky one-act exploits the comedy in a good old fashioned sexual harassment lawsuit. John is a mediocre lawyer with a hard core love obsession with his ex-wife and a small penchant for dick pics. Hilarity ensues!

BENEVOLENCE

ensemble theatre · producer · Ages 16+ · world premiere · United States of America
Through the lens of three separate stories, Benevolence is an original two act drama about how our most important decisions are rarely made by us.
Through the lens of three separate stories, Benevolence is an original two act drama about how our most important decisions are rarely made by us.

ECT'S DANNY AND THE DEEP BLUE SEA

ensemble theatre · elysium conservatory theatre · Ages 17+ · United States of America
ECT roars into The Hollywood Fringe with an unprecedented ensemble experience. Each performance unleashes new members of our mainstage company into the roles of Danny & Roberta - celebrating the unapologetic, raw humanity of our #FearlessArtists
ECT roars into The Hollywood Fringe with an unprecedented ensemble experience. Each performance unleashes new members of our mainstage company into the roles of Danny & Roberta - celebrating the unapologetic, raw humanity of our #FearlessArtists

MILLENNIAL PINK

ensemble theatre · grateful living · Ages 12+ · world premiere · United States of America
Through a series of interlinking vignettes, this collection explores the pressures, conflicts, and humility of millennial women. What is it like to be a part of the most hated (or misunderstood) generation?
Through a series of interlinking vignettes, this collection explores the pressures, conflicts, and humility of millennial women. What is it like to be a part of the most hated (or misunderstood) generation?

…MEANTIME AT HOJO'S

ensemble theatre · the gangbusters theatre company · Ages 12+ · flashing lights · world premiere · United States of America
June 16th 1972, Howard Hunt and G. Gordon Liddy have business to tend. Tonight's Mission: Oversee a group of five men sent to repair listening devices they installed five weeks earlier into DNC's Headquarters at the Watergate Complex in Washington DC. What the fuck could possibly go wrong?
June 16th 1972, Howard Hunt and G. Gordon Liddy have business to tend. Tonight's Mission: Oversee a group of five men sent to repair listening devices they installed five weeks earlier into DNC's Headquarters at the Watergate Complex in Washington DC. What the fuck could possibly go wrong?

SAM SHEPARD & PATTI SMITH'S COWBOY MOUTH

ensemble theatre · girl trip productions · Ages 16+ · United States of America
Patti Smith and Sam Shepard wrote this intimate play as punk, rock and new wave collide. A woman kidnaps a young man with the hopes of inspiring him to be a rock and roll star. Cowboy Mouth is about taking responsibility for our own creativity, and falling in love with the person, not the potential.
Patti Smith and Sam Shepard wrote this intimate play as punk, rock and new wave collide. A woman kidnaps a young man with the hopes of inspiring him to be a rock and roll star. Cowboy Mouth is about taking responsibility for our own creativity, and falling in love with the person, not the potential.

CRUNCH

ensemble theatre · sacred fools theater company · Ages 16+ · United States of America
Three best friends from high school, run aground on shitty jobs and instability in their early twenties, try to keep their adolescent love for each other alive while caring for a fourth friend who has become a powerful, ravenous, cave-dwelling entity. @crunchtheplay
Three best friends from high school, run aground on shitty jobs and instability in their early twenties, try to keep their adolescent love for each other alive while caring for a fourth friend who has become a powerful, ravenous, cave-dwelling entity. @crunchtheplay

THE OBAMA EFFECT

ensemble theatre · the marshall studio · Ages 15+ · world premiere · United States of America
The Obama Effect is a one act play that deals with how Barack Obama changed the conversation in America from the time he announced that he was running for President up until his victory.
The Obama Effect is a one act play that deals with how Barack Obama changed the conversation in America from the time he announced that he was running for President up until his victory.

MEN OF BLOOD

ensemble theatre · konglomerat · Ages 21+ · Germany
A collage of contemporary german plays for theater. The three pieces deal with the topics of guilt and vanity, success and disappointment in the context of self-reflection and delusion.
A collage of contemporary german plays for theater. The three pieces deal with the topics of guilt and vanity, success and disappointment in the context of self-reflection and delusion.

17TH FLOOR

ensemble theatre · letien productions · Ages 12+ · world premiere · United States of America
The kindness of strangers is only as good as their intentions. Two desperate parents learn this the hard way as they seek refuge from the fate of their sick children in the parent’s room at St. Joseph’s Hospital.
The kindness of strangers is only as good as their intentions. Two desperate parents learn this the hard way as they seek refuge from the fate of their sick children in the parent’s room at St. Joseph’s Hospital.

NEGATIVE SPACES

ensemble theatre · cluster b · Ages 18+ · world premiere · United States of America
Life, death and the space between: this play explores trust, betrayal, longing and loss, and their corrosive effects on relationships and the choices that define them. Heavy, sad, with moments of harsh reality cut by sharp humor, it examines what happens when a couple can't (or won't) reproduce.
Life, death and the space between: this play explores trust, betrayal, longing and loss, and their corrosive effects on relationships and the choices that define them. Heavy, sad, with moments of harsh reality cut by sharp humor, it examines what happens when a couple can't (or won't) reproduce.

NARCOLEPSY, INC

ensemble theatre · third rail alive · Ages 18+ · world premiere · United States of America
Speculative fiction set in a theocratic state where sleep and dreams are policed and manufactured by the multinational, Narcolepsy, Inc. whose chief scientist and engineer, a queer Black woman, is under house arrest for selling company secrets.
Speculative fiction set in a theocratic state where sleep and dreams are policed and manufactured by the multinational, Narcolepsy, Inc. whose chief scientist and engineer, a queer Black woman, is under house arrest for selling company secrets.

SHINING CITY

ensemble theatre · hicks street productions · Ages 12+ · Ireland
“Conor McPherson’s play is haunting, inspired, and absolutely glorious.” -The New York Times
“Conor McPherson’s play is haunting, inspired, and absolutely glorious.” -The New York Times