Angel Hernandez (he/her/theirs)
Producer
IPHIGENIA IN SPLOTT
Solo Show · the attic collective · Ages 16+ · United States of America
Stumbling down the street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with. We think we know her, but we don't know the half of it. Welsh playwright Gary Owen uses the Greek myth of Iphigenia to tell a modern story: exploring social deprivation, poverty, and class.
Stumbling down the street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with. We think we know her, but we don't know the half of it. Welsh playwright Gary Owen uses the Greek myth of Iphigenia to tell a modern story: exploring social deprivation, poverty, and class.
HEDDA GABLER
Drama · the attic collective · Ages 16+ · United States of America
Hedda is trapped in a new home with a new husband. She spends her time manipulating those around her and denying her pregnancy. But when old acquaintances come knocking on the Tesman’s door, the next two days are spent unraveling the past, evading the future, and firing General Gabler’s pistols.
Hedda is trapped in a new home with a new husband. She spends her time manipulating those around her and denying her pregnancy. But when old acquaintances come knocking on the Tesman’s door, the next two days are spent unraveling the past, evading the future, and firing General Gabler’s pistols.
BLUE NIGHT/PERILOUS NIGHT
solo performance · n/a · Ages 18+ · United States of America
Rory Cello. I'm a private eye and a female person. Guy comes into my office one night: not good. There's a grisly death on railroad tracks; tortured love story. Time: 1957 maybe? Place: Midwest-ish? Genre: Noir poem. But no rhyming. Free show. So please come. I need the money.
Rory Cello. I'm a private eye and a female person. Guy comes into my office one night: not good. There's a grisly death on railroad tracks; tortured love story. Time: 1957 maybe? Place: Midwest-ish? Genre: Noir poem. But no rhyming. Free show. So please come. I need the money.
