What I liked
The participants include two brothers who face their respective mortality and ultimate end through unlikely odds to include incarceration for murder and facing the horrors of aging and HIV.
Hard core drug use, homo-erotica, sensuality, violence, murder, all become twisted or “interchangeable.” Which memory more accurate? Whose account more believable? What really happened?
The young and current versions of each brother are masterfully portrayed by Dean Howell, Gordon Thomson, Mathew Dunlop and Josh Allen Goldman, four actors who have embraced the complexities and subtle nuances of their characters. Their memories don’t always match, but the emotion evoked in each, undeniable. The clash is harmonious and sensual if sexually charged with incest and the dark path leading up to it. Some of the memories are stop-action “photographs,” a brilliant depiction of a portrait as the playwright (Michael Kearns) frames particularly dark or poignant memories. The director’s use of lighting, stop action and the actors’ “photograph” in unison is creative and effective. Communication with each other and the audience of dramatic events was intoxicating. I was drawn-in, to participate, laugh, cry, wait, breathe.
This theater festival is quick, but there’s still time to see “Bloodbound” at The Blank on the SW corner of Santa Monica Boulevard and Wilcox, Hollywood Media District, Los Angeles.
What I didn't like
The house wasn’t full – and should be. This play is a “must see” for the Hollywood Fringe Festival.
My overall impression
Bloodbound is mesmerizing, mystical, outrageous (but not opulent). It’s honest, unafraid, terrifying, turbulent and touching.
