Punch and Judy

This high-energy, irreverent, darkly-comedic piece is physical comedy at its best. It takes the patriarchy, police violence, sexual assault and even a bit of the current presidential race to their limits, showing them at their grotesque best. Not for the faint-of-heart, but for those with a touch of the ruthless in their humor, this show is a four course meal. ... full review

Dont Miss!!!!!... full review

Dont Miss!!!!!... full review

Tour it!... full review

This show relies heavily on physical comedy and comedic timing to work, and boy, does it sure have both. And a lot of it. I saw a preview, and it was tight. I was crying so hard from laughing. I cannot express how brilliant this show is. It's very low-brow humor, but it finds its sophistication within that humor. Highly recommended, but when I say it's for "adults only," I mean that sincerely. This show is very un-politically correct, but I love it even more because of it. Whatever you do, DO NOT miss this show. Holy...wow!... full review

Go see it! It's the perfect type of show that plays well at the fringe festival. Fun, short, and a reminder of what theater and performance truly can be!... full review

Deliciously dark, doesn't skip a beat, crazy talented cast, I laughed loudly for the entire show!... full review

This show is nuts. Barely a drop of blood is spilled on the stage but I dare you to find a more violent, offensive, and down-right obscene show at the Fringe. Just when you think they've taken it as far as they can go, they take it further. This is a miraculously detailed work of art about probably the worst character who's ever existed on stage. Thankfully, the evil is wrapped up in a bright package of big laughs. ... full review

Don't expect a puppet show for kids. In fact, don't expect puppets at all. This is a re-imagining of the traditional Punch and Judy, which embraces the violent nature of those puppet shows and gleefully expands upon it. ... full review

I loved the show. if you like dark comedy, prepare to laugh. This show is original, fresh, creative, raw, politically incorrect, imaginative, and of course funny. People will see things in this show, that they have never seen on stage before. The ensemble fully committees to Chris Johnson stylize commedia dell' arte, which becomes pure enjoyment on stage. Jen Albert fight choreography is filled with detail precision moves that makes the fights both comical and dangerous. Ryan Beveridge help make the show feel larger then the 20 by 20 size stage. The ensemble (and they are a true ensemble, working together like a well oiled machine) didn't miss a beat and deserves to be recognized for their hard work. This is one of the shows you should... full review