Brendan Weinhold

At only 30 minutes, an easy way to fit more into your busy Fringe schedule.... full review

Diverse performers telling personal stories in classic solo show style.... full review

It's everything it promises to be! An opera, and the language is tap. Very simple, clear relationships move us through the sitcom-like storyline. Just fun and skillful tap, with ingenious production elements.... full review

Very creepy, as intended!... full review

Clever and full of energy, they find the humor and torment behind the words. And the whole show's conceit plays perfectly in the 3 Clubs space.... full review

I really like it when shows spend thought on their social impact. This one absolutely does!... full review

The notion of consent in Shrew is an integral part of this show and gives a new perspective. Petruchio and her subs especially have a delightful relationship that gains much from the motif. One scene presents it as humorful when a sub uses the language of the scarves to make clear her not consenting, and a dom (presumably unwittingly) continues the undesirable behavior. Tranio was the only servant not a sub, though she was also not a dom. This rendition of Shrew certainly gives one exa... full review

I don't know what the truth is, but Bri imagines and portrays a number of beautiful and hilarious truths with Voicemails. Bri is present and likable and lovable and charming and funny and comfortable.... full review

Happiness sought and happiness found.... full review

I loved it. This is everything theatre can be. It's evocative, provocative, immersive; it's fiction covering truth. It can only be live theatre, and it's why live theatre is necessary and unique. It is the complexity of love and the simplicity of adoration. It says the things that are and aren't. It relates us to a distant idea we all share. I loved it.... full review