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Simply click here …and become a “fan” of the Fringe.
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I spoke with my cousin Bryce Wagoner last week about an idea we have been kicking around for a couple years now: A documentary on the creation of the Hollywood Fringe Festival.
Bryce is a good guy to have on-board: His documentary just received funding and it’s starting production with Oxymoron Entertainment and the producers of Entourage, Punked, American Psycho, and the Emmy Nominated The Flight that Fought Back.
The idea for a documentary first emerged as we started production on our last endeavor: The Hatchery Festival . Theatre/Arts festivals are such bizarre creatures and attract such a freakish array of characters, how could it not translate to film? Note that I use the term “freakish” with all love, respect, and self identification.
Bryce and I (along with Dave McKeever, the Producing Director for the Fringe) are just now beginning to bounce around some serious ideas that, so far, sound pretty entertaining.
The production of the Fringe itself would be the major through line…along the way, we may:
- Adventure through the history of past Fringes and why they matter
- Field trip to Scotland, Minneapolis, and/or Tortonto to see Fringe in action
- Interview various theatrical luminaries in the land of Fringe
- Follow artists as they create, develop, and produce their Fringe projects
- ..and of, course, lots of footage of Fringe week and all the madness therein
Of course, we would set the Hollywood community on center stage; presenting the modern Hollywood as a fascinating and unique place complimenting its role as the spiritual capital of the entertainment world.
As my cousin says, the best thing about shooting a documentary are the unknown gems you film…the wild characters that stand out. I imagine we will be pretty open to new experiences (that’s the story of this Festival thus far).
In a few paragraphs, that’s the general idea. Looking forward to making some real progress on this particular project…very excited to see where it goes.
In our ongoing insiders’ peek at the good people joining the production of Los Angeles’ first Fringe Festival, I would like to introduce you to Emily Selden.
Here’s a greetings direct from Emily:
Emily Ann Selden dreams of the time when southern California will have a fringe festival to call it’s own- that time is now. With a wealth of theater and business experience she is excited to partner her Westwood based company, Firefly Sky Productions, with Hatchery Arts.
She began her theater career by winning “drama member of the year”, propelling her into college with a scholarship culminating in the completion of a Bachelors in Acting and a Masters in Production Management both in Theater Arts at Humboldt State University. Fulfilling an internship with Dell’ Arte International School of Theater in Blue Lake, CA, she taught K-12 students in their “Education through Art” program- expanding the program and realizing a passion for “Commedia”. As a veteran of Renaissance Faire she is also a fan of “Environmental Theatre”. More recently, at Victor Valley College in Victorville, CA she served as Theater Faculty while working as Talent Manager for two clients.
As an accomplished producer she has managed the American College Theater Festival, Reggae on the River, and the Humboldt International Film Festival, among others. With her passion for the arts, theater, education and their ability to change the world she looks forward to a wonderfully creative collaboration with Hollywood Fringe.
Today is the last day of Scotland’s biggest show: The Edinburgh Fringe Festival.
This is the Fringe that started them all… Back in 1947, eight rebel theatre companies gathered along the fringes of the establishment arts festival (The Edinburgh International Festival) and set up shop. Over 60 years later, and the “Fringe” has eclipsed the establishment. Not bad for a bunch of scrappy artists.
There is a great article in the Economist magazine on the Fringe this year. Of course our friends at the Economist are crusty, capitalist bastards…so the commentary is quite amusing. My favorite excerpt:
UNLIKE every other theatre festival in the world, the Edinburgh Fringe completely takes over its host city. In an age when theatre has been pushed to the periphery of the culture, itÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s jarring to see actors rehearsing Brecht in line for morning coffee, flocks of school-age drama students singing Stephen Sondheim in a back alley and most strikingly, marketing departmentsÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬Âusually comprised of actors in the shows being marketedÃƒÂ¢Ã¢â€šÂ¬Ã¢â‚¬Âabsolutely everywhere.
Now that’s exactly what we are talking about with Hollywood Fringe. Taking the ordinary and sticking it on its head. Our goal is to turn Hollywood into an unprecedented artistic freak show. Not just to interrupt the blandness of ordinary life, but to excite, offend, and inspire those on the periphery of the art world to join its core.
There is some interesting commentary in there on the question of a “juried” festival … one that we have been wrestling with. How to put up a festival that allows for some form of artistic integrity check without betraying the spirit of fringe. We, of course, are moving in a third direction: Rather than allowing a small group of high-minded critics to choose the festival’s content, we at Hollywood Fringe leave that decision to the community itself.
What’s exciting about Fringe is the wonderful discoveries that emerge from it. And not just the artists are being discovered! If history is any judge, Fringe audience members are easily converted to theatre-going patrons who continue to spend their cash on shows after the festival has closed its doors.
Discovering new artists, discovering new audience. That’s what fringe is about…filling-in the artistic cracks that the mainstream leaves behind.
Here’s the Edinburgh Fringe Festival website.
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